|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Andrew Repasky McElhinneyPublisher: McFarland & Co Inc Imprint: McFarland & Co Inc Dimensions: Width: 15.20cm , Height: 1.20cm , Length: 22.90cm Weight: 0.336kg ISBN: 9780786477616ISBN 10: 078647761 Pages: 244 Publication Date: 05 November 2013 Recommended Age: From 18 years Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In stock We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsTable of Contents Acknowledgments Introduction: Remakes, from Shakespeare to the PostLiterate Problem 1. Edible Wrecks: Charting Technology Remaking the Body in The Black Cat (1934), Peeping Tom (1960) and Crash (1996) 2. The Birth of NeoConservatism through Violence: Gangsters Remaking Capital in The Public Enemy (1931), Point Blank (1967) and Bad Lieutenant (1992) 3. “In the grimace of intense desire”: Remaking Women with Imitation of Life (1934 and 1959) 4. The Bequests of Shadows: Remaking the Father in The Magnificent Ambersons (1942), One More Tomorrow (filmed 1942; released 1946) and Strange Illusion (1945) 5. “It’s all very realistic!” Remaking Image with Vinyl (1965) and A Clockwork Orange (1971) 6. Self-Deliverance: Children Unmaking the Family in Psycho (1960 and 1998) and The Parent Trap (1961 and 1998) 7. Chapter Six, Part 2! Remaking Hollywood with Forced Entry (1973 and 1981), Despair (1978) and Raiders of the Lost Ark: The Adaptation (1989) 8. I Know Who Killed Me: Remaking the Artist in The Immortal Story (1968) and Twin Peaks: Fire Walk with Me (1992) Conclusion: For a Remaking Chapter Notes Bibliography IndexReviewsAuthor InformationFeature film director Andrew Repasky McElhinney is also an author, theater director, installation artist, repertory film programmer and educator. He currently teaches at Rutgers–The State University of New Jersey. Tab Content 6Author Website:Countries AvailableAll regions |