Overview

"A woman in wartime Hollywood and her dream of the perfect motion picture. Renie Lee has climbed the ladder in a man's world to be head of the Story Department at Warner Bros. Studios. Renie is an idealist who believes that ""the perfect film"" can be created. When she pulls an unproduced stage play set in Morocco out of the slush pile, she has a feeling this one is special, maybe not perfect but special enough to secure her place as an equal to the studio's most powerful men. No one agrees with her until two brash young studio writers, Julius and Philip Epstein, decide to back Renie's gamble and bring the Morocco story to the screen. Their screenplay's name: Casablanca. Renie uses her charms on executive producer Hal Wallis until he finally agrees to her plan, but the problems seem insurmountable from the start, and Renie's gamble threatens to become a career killer for not only Renie but also her confederates, the Epsteins. Set against the backdrop of Pearl Harbor and the first months of World War II, Season of the Gods careens across the Warner Bros. lot, from the Writers Building to the dressing rooms and soundstages, to tell the spellbinding and unlikely story of Hollywood's greatest masterpiece through the eyes of all who made it happen."

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Robert Matzen is the internationally bestselling author of Dutch Girl: Audrey Hepburn and World War II, Mission: Jimmy Stewart and the Fight for Europe, and seven other books. He is a Hollywood historian specializing in Warner Bros. Studios, and his byline has appeared in the Wall Street Journal, among other publications. Holly Adams is a classically trained, award-winning actor and narrator who loves every single thing about stories and the beings that inhabit them. With her attention to tone and character integrity, Holly enjoys narrating pretty much anything, and specializes in action-adventure/fantasy, mysteries/thrillers, and the subtle comfort of self-help nonfiction. Holly's first language was Southern, after which her family moved around a lot, finally settling in rural New York. Combined with a love of languages and her professional training, these experiences gave her a range of regional Southern dialects and an excellent capacity for accent and dialect in general. When not behind a mic, Holly continues to perform on stage, in films, and with the circus, especially Red Nose.

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