Sculpture in Print, 1480–1600

Author:   Anne Bloemacher ,  Mandy Richter ,  Marzia Faietti
Publisher:   Brill
Volume:   52
ISBN:  

9789004421509


Pages:   368
Publication Date:   22 April 2021
Format:   Hardback
Availability:   In stock   Availability explained
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Sculpture in Print, 1480–1600


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Overview

Sculpture in Print, 1480–1600 is the first in-depth study dedicated to the intriguing history of the translation of statues and reliefs into print. The multitude of engravings, woodcuts and etchings show a highly creative handling of the ‘original’ antique or contemporary work of art. The essays in this volume reflect these various approaches to and challenges of translating sculpture in print. They analyze foremost the beginnings of the phenomenon in Italian and Northern Renaissance prints and they highlight by means of case studies amongst many other topics the interrelated terminology between sculpture and print, lost models in print, the inventive handling of fragments, as well as the transformation of statues into narrative contexts.

Full Product Details

Author:   Anne Bloemacher ,  Mandy Richter ,  Marzia Faietti
Publisher:   Brill
Imprint:   Brill
Volume:   52
Weight:   0.849kg
ISBN:  

9789004421509


ISBN 10:   9004421505
Pages:   368
Publication Date:   22 April 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

List of Figures Notes on Contributors “Quanto in virtù d’una ingegnosa mano / la fermezza de’marmi ai fogli cede”: The Art of Translating Sculpture into Print. An Introduction  Anne Bloemacher, Mandy Richter and Marzia Faietti Part 1: Antique Sculpture 1 Aes Incidimus: Early Modern Engraving as Sculpture  Madeleine C. Viljoen 2 Transferring Ancient Sculptures into Prints. Marcantonio Raimondi’s “Quos Ego”: Its Prototypes and Afterimages  Gudrun Knaus 3 Marcantonio Raimondi and Fragmentary Ancient Statues: Hypotheses on His Working Method and Antiquarian Practice  Mandy Richter 4 Cherubino Alberti’s Engravings after Polidoro da Caravaggio: from Chiaroscuro to Sculpture  Maria Gabriella Matarazzo 5 From Sculpture to Print to Sculpture. Parmigianino, Caraglio and the Mystery of the Barberini Faun  Marzia Faietti Part 2: Contemporary Sculpture 6 The Reproduction of Sculpture as Sculpture in 16th Century Prints: Baccio Bandinelli, Giambologna, and Adriaen de Vries  Anne Bloemacher 7 The Young Baccio Bandinelli and the Role of Prints at the Beginning of a Sculptor’s Career  Angelika Marinovic 8 Considering the Viewer in Prints of Michelangelo’s Risen Christ: The Cases of Beatrizet and Matham  Bernadine Barnes 9 On the Genesis of Antonio Tempesta’s Print of Henry ii on Horseback  Claudia Echinger-Maurach 10 Sculpture’s Narrativity in Northern Renaissance Prints  Franciszek Skibiński 11 Models for Sculptures in Print: Michelangelo’s Samson and Two Philistines in Lucas Kilian’s Engravings  Claudia Echinger-Maurach Index

Reviews

This book provides a wonderful introduction to the topic in all its breadth. Joris van Gastel, University of Zurich. In: Print Quarterly, Vol. 39, No. 4 (December 2022), pp. 456-460.


“This book provides a wonderful introduction to the topic in all its breadth.” Joris van Gastel, University of Zurich. In: Print Quarterly, Vol. 39, No. 4 (December 2022), pp. 456–460.


Author Information

Anne Bloemacher is Assistant Professor of Art History at the University of Münster, where she completed her PhD in 2012 with a thesis entitled Raphael and Marcantonio Raimondi. Recent publications treat erotic prints in Raphael’s circle and Maximilian I’s self-fashioning. Mandy Richter is working at the Kunsthistorisches Institut in Florenz – Max-Planck-Institut. She has published the monograph Die Renaissance der Kauernden Venus (Harrassowitz 2016) and is currently preparing the edited collection Indecent Bodies in the Renaissance with Fabian Jonietz and Alison Stewart. Marzia Faietti, former Director of Gabinetto dei Disegni e delle Stampe delle Gallerie degli Uffizi, teaches History of Drawing, Printmaking and Graphic Arts at the University of Bologna and at the Università Cattolica del Sacro Cuore in Milan. She is a scientific collaborator both of Uffizi and Kunsthistorisches Institut in Florenz—Max-Planck-Institut.

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