Screening Gender in Shakespeare's Comedies: Film and Television Adaptations in the Twenty-First Century

Author:   Magdalena Cieslak
Publisher:   Lexington Books
ISBN:  

9781498563765


Pages:   294
Publication Date:   15 March 2021
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Screening Gender in Shakespeare's Comedies: Film and Television Adaptations in the Twenty-First Century


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Author:   Magdalena Cieslak
Publisher:   Lexington Books
Imprint:   Lexington Books
Dimensions:   Width: 15.30cm , Height: 2.10cm , Length: 21.90cm
Weight:   0.426kg
ISBN:  

9781498563765


ISBN 10:   1498563767
Pages:   294
Publication Date:   15 March 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

Magdalena Cieslak's Screening Gender offers insightful readings of Shakespeare's romantic comedies and their representation in twenty-first-century film. In a comprehensive survey, she identifies the early modern constructions of gender, marriage, and female sexuality embedded in Shakespeare's texts and illuminates the ways they are replicated and sometimes interrogated in cinematic adaptations. -- Virginia Mason Vaughan, Clark University The field of academic research on Shakespeare and screen adaptations has been rapidly expanding over the past decades, and Cieslak's interdisciplinary study provides a welcome critical addition. . . In a highly topical book, also considering the ongoing #MeToo debate, the author explores the tensions and negotiations between early modern attitudes towards gender and the way twenty-first century adaptations relate to those issues in terms of current gender politics. . . . With all the insightful analysis in her timely book, Cieslak has hopefully also provided an impetus for further research in this highly topical field. * Sederi Yearbook *


The field of academic research on Shakespeare and screen adaptations has been rapidly expanding over the past decades, and Cieślak’s interdisciplinary study provides a welcome critical addition. . . In a highly topical book, also considering the ongoing #MeToo debate, the author explores the tensions and negotiations between early modern attitudes towards gender and the way twenty-first century adaptations relate to those issues in terms of current gender politics. . . . With all the insightful analysis in her timely book, Cieślak has hopefully also provided an impetus for further research in this highly topical field. * Sederi Yearbook * Magdalena Cieslak’s Screening Gender offers insightful readings of Shakespeare’s romantic comedies and their representation in twenty-first-century film. In a comprehensive survey, she identifies the early modern constructions of gender, marriage, and female sexuality embedded in Shakespeare’s texts and illuminates the ways they are replicated and sometimes interrogated in cinematic adaptations. -- Virginia Mason Vaughan, Clark University


The field of academic research on Shakespeare and screen adaptations has been rapidly expanding over the past decades, and Cieslak's interdisciplinary study provides a welcome critical addition. . . In a highly topical book, also considering the ongoing #MeToo debate, the author explores the tensions and negotiations between early modern attitudes towards gender and the way twenty-first century adaptations relate to those issues in terms of current gender politics. . . . With all the insightful analysis in her timely book, Cieslak has hopefully also provided an impetus for further research in this highly topical field. * Sederi Yearbook * Magdalena Cieslak's Screening Gender offers insightful readings of Shakespeare's romantic comedies and their representation in twenty-first-century film. In a comprehensive survey, she identifies the early modern constructions of gender, marriage, and female sexuality embedded in Shakespeare's texts and illuminates the ways they are replicated and sometimes interrogated in cinematic adaptations. -- Virginia Mason Vaughan, Clark University


Author Information

Magdalena Cieślak is assistant professor of English at the University of Łódź.

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