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OverviewDance and film have shared a dynamic relationship since the advent of cinema--a natural interplay that developed into the genre known as screendance. Charting the history of screendance festivals, this book examines important shifts in practice and theory, distinct festival eras and communities, and the process of selecting and programming works. Full Product DetailsAuthor: Cara HaganPublisher: McFarland & Co Inc Imprint: McFarland & Co Inc Dimensions: Width: 15.20cm , Height: 1.10cm , Length: 22.90cm Weight: 0.286kg ISBN: 9781476669847ISBN 10: 1476669848 Pages: 207 Publication Date: 21 February 2022 Recommended Age: From 18 years Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsTable of Contents Acknowledgments Introduction 1. Falling in Love 2. An Art Worth Celebrating 3. Screendance Before the Screendance Festival 4. The Four Generations of Screendance Festivals 5. Screendance Festival Models 6. Curating: A Historical, Practical and Philosophical Exploration 7. Mapping Curatorial Development in Screendance Festivals 8. Curatorial Adventures 9. Investigating Representation as Curatorial Activism 10. Case Studies 11. Curatorial Considerations 12. A Treatise on Curating Chapter Notes Bibliography IndexReviews"""an invaluable resource for scholars, practitioners, and anyone interested in the intersection of dance and film.""--Dance Chronicle" """The author's broad experience as both a maker and curator informs this important examination of the history and future of screendance festivals.""--Rebecca Salzer, director of the Dancing Digital Project, and associate professor of Dance at the University of Alabama" """The author's broad experience as both a maker and curator informs this important examination of the history and future of screendance festivals.""--Rebecca Salzer, director of the Dancing Digital Project, and associate professor of Dance at the University of Alabama ""an invaluable resource for scholars, practitioners, and anyone interested in the intersection of dance and film.""--Dance Chronicle" The author's broad experience as both a maker and curator informs this important examination of the history and future of screendance festivals. --Rebecca Salzer, director of the Dancing Digital Project, and associate professor of Dance at the University of Alabama Author InformationCara Hagan is an interdisciplinary artist and scholar whose work is informed by movement, digital space, words, contemplative practice, and community. She is the director and curator for ADF's Movies by Movers, an annual, international screendance festival under the auspices of the American Dance Festival. Her scholarly works can be found in the International Journal of Screendance, The Journal of Dance Education and Dance Magazine. Tab Content 6Author Website:Countries AvailableAll regions |
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