Overview

"In the 1950s and early 1960s, America imagined itself young and in love in Europe. And Hollywood films of the era reflected this romantic allure. From a young and naive Audrey Hepburn falling in love with Gregory Peck in ""Roman Holiday"" to David Lean's ""Summertime"", featuring Katherine Hepburn's sexual adventure in Venice, these glossy travelogue romances were shot on location, and established an exciting new genre for Hollywood. As Robert Shandley shows in ""Runaway Romances"", these films were not only indicative of the ideology of the American-dominated postwar world order, but they also represented a shift in Hollywood production values. Eager to capture new audiences during a period of economic crisis, Hollywood's European output utilized the widescreen process to enhance cinematic experience. The films - ""To Catch a Thief"", ""Three Coins in the Fountain"", and ""Funny Face"" among them - enticed viewers to visit faraway places for romantic escapades. In the process, these runaway romances captured American fantasies for a brief, but intense, period that ended as audiences grew tired of Old World splendors, and entered into a new era of sexual awakening."

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9781592139453

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Reviews

Shandley's careful analysis is informed by a wealth of relevant historical and critical studies. Runaway Romances is both conceptually interesting and original and it is a meaningful scholarly addition to the field. oAntje Ascheid, Associate Professor in the Department of Theatre and Film Studies at the University of Georgia, and author of Hitler's Heroines: Stardom and Womanhood in Nazi Cinema In this pleasant monograph, Shandley examines Hollywood's 'European Travelogue romances, 1947-1964,' which he imagines to constitute a genre... This is a book for those interested in specialized film and genre study. Choice, Nov 2009 Robert R. Shandley's intriguing new text Runaway Romances offers a fresh, in-depth analysis of a genre...[T]his seminal work [is] a must for film enthusiast[s] historians, and researchers. - Film and History

Author Information

Robert R. Shandley is Associate Professor of Film Studies and German at Texas A&M University. He is the author of Rubble Films: German Cinema in the Shadow of the Third Reich (Temple) and editor of Unwilling Germans? The Goldhagen Debate.

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