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Of the artists who lived in Great Bardfield, Essex between 1930 and 1970, Rothenstein was often regarded as the most avant-garde, which is demonstrated in the Gallery's collection of his work as a painter of figurative and abstract subjects in oils, watercolour, collage, mixed media, in the assemblages he constructed, and as an innovative printmaker which he developed after 1948. AUTHOR: Frances Spalding CBE, FRSL is a British art historian and writer and the former Editor of The Burlington Magazine. SELLING POINTS: A pictorial commentary on work by Michael Rothenstein in the Fry Art Gallery Collection An essay by Gill Saunders 57 colour, 57 b/w images Reprint of an interview conducted by Peter Fuller in 1990 Frances Spalding CBE, FRSL is a British art historian and writer and the former Editor of The Burlington Magazine.

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9780957317222

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Gill Saunders is Senior Curator in the Word & Image Department of the Victoria and Albert Museum, specialising in twentieth century and contemporary prints and drawings. Previous publications include Prints Now, Walls are Talking, Recording Britain, In Black & White and co-editor of Bawden, Ravilious and the Artists of Great Bardfield. Peter Fuller, art critic and writer, was the founder and editor of Modern Painters, a quarterly journal of the fine arts, from 1987 until his death in 1990.

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