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OverviewRoll! Shells fly overhead as night-scopes capture deadly fire fights with an eerie green hue, a category 5 hurricane devastates the Big Easy, hidden cameras enter a Cambodian village of brothels and a veteran journalist interviews himself throughout his own brain surgery. Part non-fiction drama, part trade publication, part text book, all woven together giving the reader a look through the viewfinders of the very best television photojournalists. As 19 experts weigh in with their candid, personal stories and photographic tips, it's as if you're over their shoulders, following their intuitions and hearing their thoughts as they shoot. The trade term for what they do is called ENG (Electronic News Gathering) and whether they're called Cameramen, Backpack Journalists, Television Photographers or any other moniker de jour, they're all paid to bring the world's events into living rooms around the world. These are the men and women who capture the bleeding edge of history - as it happens. Written in a smooth, unique interview style, this book is a necessary read for photojournalists, videographers and tv photojournalists.* Interviews with successful, professional TV photojournalists will inspire you *Lively tone conveys rich, practical know-how and peer advice from-the-trenches *Explains video shooting techniques within the context of the broadcast news profession *Loaded with hundreds of interesting photographs Full Product DetailsAuthor: Rich UnderwoodPublisher: Taylor & Francis Ltd Imprint: Focal Press Dimensions: Width: 19.10cm , Height: 2.10cm , Length: 23.50cm Weight: 0.861kg ISBN: 9780240808482ISBN 10: 0240808487 Pages: 408 Publication Date: 19 June 2007 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsThe History of Television Photojournalism - From the Beginning; John DeTarsio, A Storyteller's Story; Larry Hatteberg, The Chain Of Command; Eric Kehe, The Photographic Department - People and Equipment; The Language of Lenses; Stephen Hooker, Camera Techniques for Spot News; Christian Parkinson, General News - From Kings to Commoners; Ray Farkas: Interviews - Talking Heads and Voyeurism; Corky Scholl, Feature Stories, B-Roll, Sequencing and Great Moments; Lisa Berglund, Truth and Filmmaking, Objective and Subjective Camerawork; Ian Pearson, Legalities and Ethics - Do the Right Thing; Mitchell Wagenberg, Covert Camera - The Fangs of the Fourth Estate; Heidi McGuire, The One - Woman - Band; Greg Stickney, Live - What TV News Does Best; Sam Allen, Get Into the Game - Athletic Photography; Brian Weister, Editing - A Cut Above; Mike Elwell: Embed - War Coverage; Bart Noonan, World Coverage - From the Top Down; David Hands, Freelancing in TV News; Rustin Thompson, From News to Independent Documentaries; Kevin Sites, The Future of Journalism Parting Shots; Appendix A Video Formats; Appendix B Setting Up a Video Monitor; Appendix C More on Lighting; Appendix D RCFP First Amendment Handbook; Appendix E RTNDA Code of Ethics; Appendix F NPPA Code of Ethics; Appendix G SoundReviewsRich Underwood's book is the first comprehensive study of a subject that has been shrouded in mystery for too long. I've always felt there's a real art to shooting news and documentary-style productions; finally someone has come along and proven it. Practical advice and insights from working professionals are mixed with technical information in an easily readable style. I highly recommend it to anyone with an interest in the subject, even if they're only shooting home movies! - Richard Crudo, ASC The best storytellers show us what we might miss, even standing next to them. These pages are filled with the best. At long last, a book that captures not only the nuts and bolts of our business, but also the adventure. Rich Underwood has created something rare--a tool that teaches both the most experienced and the beginner at the same time. - Bob Dotson, American Story with Bob Dotson, NBC News Today Show A lively primer in life behind the newsroom doors. If you have ever wondered what happens when the TV photographers gets the big assignment, this book will give you the details. - Bob Brandon, Freelance cameraman, author, and winner of the Joseph A. Sprague Memorial Award This advice from some of the most outstanding video photojournalists in the industry is just as useful to the hundreds of former still photographers who now are moving into the video world and posting their work online. Roll! goes way behind theory to the The micro- specifics of how the best photojournalists do their work. If you want to know the best lights, best microphones best tripod to use--it is in there. If you want to understand depth of field, motion and shot composition--it is in there. I have been around TV news for more than 30 years and found myself scribbling the pages with my highlighter pen so I could come back to Rich Underwood's advice again and again. This book is a winner. Al Tompkins Author, teacher, journalist The Poynter Institute St Petersburg, Florida The book is both a celebration of top-class news-based camerawork and an excellent primer on the logistics and practicalities of shooting news stories while maintaining high production values. Overall, the book is well structured, informative, and extremely well written, capturing the emotions as well as the technicalities, both on and off-camera, involved in getting the story from camera to screen. Dudley Darby Zerb Guild of Television Cameramen Spring 2008 Rich Underwood's book is the first comprehensive study of a subject that has been shrouded in mystery for too long. I've always felt there's a real art to shooting news and documentary-style productions; finally someone has come along and proven it. Practical advice and insights from working professionals are mixed with technical information in an easily readable style. I highly recommend it to anyone with an interest in the subject, even if they're only shooting home movies! - Richard Crudo, ASC The best storytellers show us what we might miss, even standing next to them. These pages are filled with the best. At long last, a book that captures not only the nuts and bolts of our business, but also the adventure. Rich Underwood has created something rare--a tool that teaches both the most experienced and the beginner at the same time. - Bob Dotson, American Story with Bob Dotson, NBC News Today Show A lively primer in life behind the newsroom doors. If you have ever wondered what happens when the TV photographers gets the big assignment, this book will give you the details. - Bob Brandon, Freelance cameraman, author, and winner of the Joseph A. Sprague Memorial Award This advice from some of the most outstanding video photojournalists in the industry is just as useful to the hundreds of former still photographers who now are moving into the video world and posting their work online. Roll! goes way behind theory to the The micro- specifics of how the best photojournalists do their work. If you want to know the best lights, best microphones best tripod to use--it is in there. If you want to understand depth of field, motion and shot composition--it is in there. I have been around TV news for more than 30 years and found myself scribbling the pages with my highlighter pen so I could come back to Rich Underwood's advice again and again. This book is a winner. Al Tompkins Author, teacher, journalist The Poynter Institute St Petersburg, Florida The book is both a celebration of top-class news-based camerawork and an excellent primer on the logistics and practicalities of shooting news stories while maintaining high production values. Overall, the book is well structured, informative, and extremely well written, capturing the emotions as well as the technicalities, both on and off-camera, involved in getting the story from camera to screen. Dudley Darby Zerb Guild of Television Cameramen Spring 2008 Author InformationRich Underwood teaches Advanced Cinematography at San Diego State University in California. He is a working director and cinematographer. More about the author's production work can be found on www.filmspot.tv. Tab Content 6Author Website:Countries AvailableAll regions |
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