Free Delivery Over $100
|
|
|||
|
||||
OverviewRobert Seymour and Nineteenth-Century Print Culture is the first book-length study of the original illustrator of Dickens’s Pickwick Papers. Discussion of the range and importance of Seymour’s work as a jobbing illustrator in the 1820s and 1830s is at the centre of the book. A bibliographical study of his prolific output of illustrations in many different print genres is combined with a wide-ranging account of his major publications. Seymour’s extended work for The Comic Magazine, New Readings of Old Authors and Humorous Sketches, all described in detail, are of particular importance in locating the dialogue between image and text at the moment when the Victorian illustrated novel was coming into being. Full Product DetailsAuthor: Brian MaidmentPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.240kg ISBN: 9780367709471ISBN 10: 0367709473 Pages: 192 Publication Date: 09 January 2023 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Illustrations Acknowledgements Introduction Chapter 1. Getting to know Seymour Chapter 2. Seymour and the publishers Chapter 3. Social satires: the march of intellect and other social transformations Chapter 4. The Comic Magazine (1832–1834) Chapter 5. New Readings of Old Authors (1832–1834) Chapter 6. The Humorous Sketches and their Victorian afterlife Chapter 7. Coda: reading Pickwick through Seymour Appendix 1 – Chronological listing of titles of books, periodials and sequences of prints illustrated by Robert Seymour Appendix 2 - A chronological list of the main editions of Seymour’s Sketches Bibliography IndexReviewsMaidment's book is not only a text which broadens our understanding of an important nineteenth-century illustrator, but a study of how the late eighteenth- century and early-nineteenth century printing industry developed[...] this work would be of particular interest to researchers in this field, and its highly readable form would make it accessible also to a non-scholarly audience. --Jessica Thomas, Early Popular Visual Culture Maidment continues a two decade long exegesis of the ways Seymour also depicted the struggles of London's growing population to make sense of a dramatically transformed world. He is unmatched in his ability to ferret out long ignored popular books and periodicals displaying Seymour's talent[...] seriously and importantly relevant to any reconsideration of Dickens's work through the 1830s and 1840s. --Robert Patten, The Dickensian """Maidment’s book is not only a text which broadens our understanding of an important nineteenth-century illustrator, but a study of how the late eighteenth- century and early-nineteenth century printing industry developed[…] this work would be of particular interest to researchers in this field, and its highly readable form would make it accessible also to a non-scholarly audience."" --Jessica Thomas, Early Popular Visual Culture ""Maidment continues a two decade long exegesis of the ways Seymour also depicted the struggles of London’s growing population to make sense of a dramatically transformed world. He is unmatched in his ability to ferret out long ignored popular books and periodicals displaying Seymour’s talent[…] seriously and importantly relevant to any reconsideration of Dickens’s work through the 1830s and 1840s."" --Robert Patten, The Dickensian" Author InformationBrian Maidment is Emeritus Professor of the History of Print in the English Department at Liverpool John Moores University and an ex-president of the Research Society for Victorian Periodicals. His books include The Poorhouse Fugitives (1987), Reading Popular Prints (1996), Dusty Bob: A Cultural History of Dustmen (2007) and Comedy, Caricature and the Social Order 1820–1850 (2013). He is currently completing a book on magazine illustration between 1820 and 1840. Tab Content 6Author Website:Countries AvailableAll regions |
||||
