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OverviewRobert Heinecken (1931-2006) was a pioneer in the postwar Los Angeles art scene who described himself as a para-photographer because his work stood 'beside' or 'beyond' traditional ideas of the medium. Published in conjunction with the first museum exhibition of the artist's work since his death in 2006, this publication covers four decades of his remarkable and unique practice, from the early 1960s through the late 1990s, with special emphasis on his early experimentations with technique and materiality, which destabilized the very definition of photography. Culling images from newspapers, magazine advertisements, and television, Heinecken re-contextualized them through collage and assemblage, double-sided photograms, photolithography and re-photography. Although he was rarely behind the lens of a camera, his photo-based works question the nature of photography and radically redefine the perception of it as an artistic medium. As the most comprehensive survey of Heinecken's oeuvre, this book sets his work in the context of twentieth century history of photographic experimentation and conceptual art. An illustrated essay by conservator Jennifer Jae Gutierrez about the artist's experimental techniques, which ranged from photograms to photolithography to collage, contributes to the sparse scholarship on Heinecken's working methods. Full Product DetailsAuthor: Eva Respini , Jennifer Jae GutierrezPublisher: Museum of Modern Art Imprint: Museum of Modern Art Dimensions: Width: 24.50cm , Height: 2.00cm , Length: 30.50cm Weight: 1.540kg ISBN: 9780870709067ISBN 10: 0870709062 Pages: 188 Publication Date: 17 February 2014 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: To order Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsRobert Heinecken was an artist who put the medium of photography through the wringer.--Arthur Ou Art in America (05/01/2014) Heinecken...radically altered our ideas of what a photograph can look like.--Vince Aletti Photograph Magazine (05/01/2014) He ecstatically reimagined everything from Chanel advertisements to Time covers to Vogue images by the likes of Irving Penn and Wayne Maser.--Nick Remsen Vogue (03/01/2014) Author InformationEva Respini is the Barbara Lee Chief Curator at the Institute of Contemporary Art Boston. Prior to that she was Curator at The Museum of Modern Art. Jennifer Jae Gutierrez is the Arthur J. Bell Senior Photograph Conservator at the Center for Creative Photography at the University of Arizona in Tucson. Tab Content 6Author Website:Countries AvailableAll regions |