|
![]() |
|||
|
||||
OverviewDiscourses about rhythmic skill and feel have often been associated with forms of non-Western, and especially African and Afro-diasporic identity and heritage. How can we rethink rhythmic skill for the contemporary world where concepts of heritage and belonging are attaining new meanings across cultural and geographical borders? This Element addresses this question through the case study of modern flamenco guitar, an instrumental practice that has achieved daunting levels of rhythmic sophistication and has been flourishing across the globe for decades, even before flamenco was inscribed into UNESCO's list of Intangible Cultural Heritage in 2010. Drawing on examples from local guitar traditions in Jerez de la Frontera and Morón de la Frontera and from an online guitar contest launched during the Covid-19 pandemic, this Element explores how rhythm can shape new ways of understanding and performing heritage in the global and digital age. Full Product DetailsAuthor: Carlos van Tongeren (University of Manchester)Publisher: Cambridge University Press Imprint: Cambridge University Press Dimensions: Width: 15.20cm , Height: 0.60cm , Length: 22.90cm Weight: 0.255kg ISBN: 9781009494540ISBN 10: 1009494546 Pages: 82 Publication Date: 30 January 2025 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of Contents1. Introduction; 2. Rhythm and heritage; 3. Jerez de la Frontera; 4. Morón de la Frontera; 5. Rhythm and heritage across borders: Falseta virus; 6. Conclusions; References.ReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |