Revolutionary Romanticism and Cinema: Country, Land, People

Author:   Paul Dave
Publisher:   Springer Nature Switzerland AG
Edition:   1st ed. 2020
ISBN:  

9783030596453


Pages:   128
Publication Date:   24 November 2020
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Revolutionary Romanticism and Cinema: Country, Land, People


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Overview

This book stages an encounter between romanticism in post-war and contemporary cinema and trends in historical materialism associated with revolutionary romantic historiography. Focused primarily on British cinema and examples of Hollywood cinema with significant relationships to British and English culture and history, it is loosely configured around three key emblematic motifs - country, land, people – that are simultaneously core values and rallying cries of distinctive varieties of conservative, restitutionist and revolutionary romanticism. The book seeks to establish the continuing relevance of the revolutionary romantic critique of capitalist modernity to contemporary political concerns such as the fate of the proletariat, populism, Brexit post-nationalism, ecocide and the Anthropocene.

Full Product Details

Author:   Paul Dave
Publisher:   Springer Nature Switzerland AG
Imprint:   Springer Nature Switzerland AG
Edition:   1st ed. 2020
Weight:   0.454kg
ISBN:  

9783030596453


ISBN 10:   3030596451
Pages:   128
Publication Date:   24 November 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1.Introduction2.Conservative Romanticism and the Country: Powell and Pressburger3.Restitutionist Romanticism: Searching for Lost Lands4.Romantic Revolutionary Historiography: The People and the Commons

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Author Information

Paul Dave has taught at the University of East London, UK, and latterly at Teesside University, UK, where he was Reader in Film and Cultural Theory. His research focuses on the representation of class and capitalism and he has published widely on British cinema and literature.

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