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Author:   Dr Harry Robert Wilson (University of Bristol, UK) ,  Will Daddario ,  Will Daddario ,  Adrian Kear (Wimbledon College of Arts University of the Arts London UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Dimensions:   Width: 14.00cm , Height: 2.20cm , Length: 21.60cm
Weight:   0.340kg
ISBN:  

9781350330887

ISBN 10:   1350330884
Pages:   266
Publication Date:   26 December 2024
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

List of Figures Notes on Contributors Acknowledgements Introduction: Contemporary Performance After Roland Barthes – Harry Robert Wilson Part 1 – A Dictionary of Twinklings 1. 5 Theses for a Dramaturgy of Performance – Matthew Goulish and Lin Hixson 2. Ceaselessly Positing and Evaporating Meaning: A Performance Score – Pablo Pakula 3. Looking Through Old Photographs – Andy Field and Deborah Pearson 4. Recipes / Addendums / Souvenirs – greenandowens (Katheryn Owens and Chris Green) 5. Ways to Submit – Ira Brand 6. All the Sense of Real: A World of Wrestling – Simon Bayly 7. Practising Neutral Dramaturgy(ies) – Will Daddario and Harry Robert Wilson Part 2 – Rethinking Roland Barthes, Theatre, Performance 8. We’ve never met but we may have fought – Simon Bayly and Ira Brand 9. For the Lover(s) of Dramaturgy: on Roland Barthes’ Amateur – Swen Steinhäuser 10. The Disturbance of One System by Another – Claudia Kappenberg 11. Baffling Dramaturgy: Between the Obvious and Obtuse – Mischa Twitchin 12. Choreography, Capturing and Barthes’ Notion of the Punctum – Sandra Parker 13. Body and Mask: Dramaturgies of the Face in Roland Barthes – Michael Bachmann 14. Tracing Barthes’ Eastern Theatres: Empire of Signs and the Staging of Individual Cultural Interpretation – Pamela Genova 15. Unraveling Textual Soundscapes: Reading Barthes’ ‘The Grain of the Voice’ through Söderberg’s Entangled Phrases and Linehan’s Body of Work – Rosa Lambert

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Author Information

Harry Robert Wilson is an artist and researcher based in Dundee, UK. He was recently awarded the Digital Thinker in Residence award at the National Theatre of Scotland, UK (2018-19). He has a PhD from the University of Glasgow, UK, in which he explored performance and photography through his own creative practice. Will Daddario is a teacher, scholar, grief worker and itinerant philosopher who currently resides in Asheville, USA. He co-edits the Performance Philosophy book series and online journal.

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