|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Louise OwenPublisher: Northwestern University Press Imprint: Northwestern University Press ISBN: 9780810146051ISBN 10: 0810146053 Pages: 248 Publication Date: 31 May 2024 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Forthcoming Availability: Not yet available This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsAcknowledgements Introduction Chapter 1: ‘Double shuffle’: dancing around entrepreneurialism Chapter 2: ‘Places, like property prices, go up and down’: public art, regeneration and place Chapter 3: ‘Can culture be our weapon?’: culture and value across borders Chapter 4: ‘Privatised politics’: verbatim theatre in the public sphere Conclusion Notes Works citedReviewsLouise Owen's often dizzyingly brilliant book makes a distinctive contribution to current scholarship on performance in the context of neoliberalization. Indeed, what is impressive is both the breadth and depth of scholarship that Restaging the Future draws on to intervene in one of the most important and pressing debates in present-day theater and performance studies. --Heike Roms, author of What's Welsh for Performance: An Oral History of Performance Art in Wales 1968 - 2008 Louise Owen's often dizzyingly brilliant book makes a distinctive contribution to current scholarship on performance in the context of neoliberalization. Indeed, what is impressive is both the breadth and depth of scholarship that Restaging the Future draws on to intervene in one of the most important and pressing debates in present-day theater and performance studies. -Heike Roms, author of What's Welsh for Performance: An Oral History of Performance Art in Wales, 1968-2008 Author InformationLouise Owen is a senior lecturer at the Royal Central School of Speech and Drama, University of London Tab Content 6Author Website:Countries AvailableAll regions |