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OverviewThis book documents American modernism’s efforts to disenchant adult and child readers alike of the essentialist view of childhood as redemptive, originary, and universal. For James, Barnes, Du Bois, and Stein, the twentieth century’s move to position the child at the center of the self and society raised concerns about the shrinking value of maturity and prompted a critical response that imagined childhood and children’s narratives in ways virtually antagonistic to both. In this original study, Mason Phillips argues that American modernism’s widespread critique of childhood led to some of the period’s most meaningful and most misunderstood experiments with interiority, narration, and children’s literature. Full Product DetailsAuthor: Michelle H. PhillipsPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Edition: 1st ed. 2016 Weight: 0.454kg ISBN: 9781349701414ISBN 10: 1349701416 Pages: 234 Publication Date: 01 May 2019 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction.- American Modernism, Childhood, and The Inward Turn.- The “Partagé Child” And The Emergence of The Modernist Novel in What Maisie Knew.- An Innocence Worse Than Evil in The Turn of The Screw.- Nightwood: A Bedtime Story.- The Children of Double Consciousness: From The Souls of Black Folk to The Brownies’ Book.- Drowning In Childhood: Gertrude Stein’s Late Modernism.- Works CitedReviewsAuthor InformationMason Phillips is a Lecturer in the English Department at Howard University, USA. He works in the fields of modernism, African American literature, and childhood studies and has published in numerous journals including African American Review, Children’s Literature, and PMLA. Tab Content 6Author Website:Countries AvailableAll regions |
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