Renaissance and Baroque Art: Selected Essays

Author:   Leo Steinberg ,  Sheila Schwartz ,  Stephen J Campbell
Publisher:   The University of Chicago Press
ISBN:  

9780226668727


Pages:   416
Publication Date:   19 August 2020
Format:   Hardback
Availability:   In stock   Availability explained
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Renaissance and Baroque Art: Selected Essays


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Author:   Leo Steinberg ,  Sheila Schwartz ,  Stephen J Campbell
Publisher:   The University of Chicago Press
Imprint:   University of Chicago Press
ISBN:  

9780226668727


ISBN 10:   022666872
Pages:   416
Publication Date:   19 August 2020
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Preface and Acknowledgments, Sheila Schwartz Introduction, Stephen J. Campbell 1. Words That Prevent Perception 2. Mantegna: Did He Paint by the Book? 3. How Shall This Be? Reflections on Filippo Lippi's Annunciation in London 4. Mantegna's Dead Christ: Passion and Pattern 5. Pontormo's Capponi Chapel 6. Pontormo's Alessandro de' Medici; or, I Only Have Eyes for You 7. Salviati's Beheading of St. John the Baptist 8. An El Greco Entombment Eyed Awry 9. Observations in the Cerasi Chapel 10. Guercino's Saint Petronilla 11. Steen's Female Gaze and Other Ironies 12. Deciphering Velazquez's Old Woman 13. The Water Carrier of Velazquez 14. Velazquez's Pablo de Valladolid 15. Velazquez's Las Meninas 16. The Glorious Company Notes Leo Steinberg: Chronology Leo Steinberg: Publications (1947-2010) Photography Credits Index

Reviews

Renaissance and Baroque Art includes essays on keystone paintings like Diego Velazquez's 'Las Meninas', as well as works by artists such as El Greco, Caravaggio and Mantegna. Because Steinberg's prose style is almost conversational -- lively, literate and accessible -- and his insights rarely less than revelatory, there's plenty here for the general reader. --Eric Gibson Spectator


Renaissance and Baroque Art includes essays on keystone paintings like Diego Velazquez's 'Las Meninas', as well as works by artists such as El Greco, Caravaggio and Mantegna. Because Steinberg's prose style is almost conversational - lively, literate and accessible - and his insights rarely less than revelatory, there's plenty here for the general reader. -- Eric Gibson * Spectator * Among the most adept and provocative practitioners of art history in its widest definition, Steinberg often began his inquiries by questioning what a painting represents, moved on to explore its possible meanings, and concluded with something one likely never imagined. He wrote with rare wit and precision, crafting prose that incisively captured overlooked aspects of artwork. Joining two other collections of posthumously published work-Michelangelo's Sculpture and Michelangelo's Painting, also both edited by Schwartz-the present volume presents a variety of topics from Mantegna to Caravaggio, Guercino, Velazquez, and Steen. . . . Each essay rewards with unexpected insight about a painting in a context of associated works, human behavior, cultural practice, and history. This is a trove of close looking and closer reading, revealing as much about methodology as about images. . . . Summing Up: Highly recommended. * CHOICE * Sheila Schwartz, an art historian who worked closely with Steinberg, has edited these essays with a discernment that's matched by the elegance of the volumes, which are among the most beautifully produced art books of recent years. * New York Review of Books * Steinberg is a treasure for visual and verbal artists and critics. Schwartz, the editor, has done a wonderful job with this project. This is one of five beautiful volumes of Steinberg's writing about art, and the University of Chicago Press should be commended. * Renaissance and Reformation *


Author Information

Leo Steinberg (1920-2011) was born in Moscow and raised in Berlin and London, emigrating with his family to New York in 1945. He was a professor of art history at Hunter College, City University of New York, and then Benjamin Franklin Professor at the University of Pennsylvania, where he remained until his retirement in 1990. Sheila Schwartz worked with Steinberg from 1968 until his death in 2011. She received her PhD from the Institute of Fine Arts, New York University, and is presently Research & Archives Director of The Saul Steinberg Foundation.

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