Relaying Cinema in Midcentury Iran: Material Cultures in Transit

Author:   Kaveh Askari
Publisher:   University of California Press
Volume:   2
ISBN:  

9780520329751


Pages:   260
Publication Date:   25 January 2022
Format:   Hardback
Availability:   Out of stock   Availability explained
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Relaying Cinema in Midcentury Iran: Material Cultures in Transit


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Overview

Relaying Cinema in Midcentury Iran investigates how the cultural translation of cinema has been shaped by the physical translation of its ephemera. Kaveh Askari examines film circulation and its effects on Iranian film cultures in the period before foreign studios established official distribution channels and before Iran became a notable site of so-called world cinema. This transcultural history draws on cross-archival comparison of films, distributor memos, licensing contracts, advertising schemes, and audio recordings. Askari meticulously tracks the fragile and sometimes forgotten material of film as it circulated through the Middle East into Iran and shows how this material was rerouted, reengineered, and reimagined in the process.  

Full Product Details

Author:   Kaveh Askari
Publisher:   University of California Press
Imprint:   University of California Press
Volume:   2
Dimensions:   Width: 15.20cm , Height: 2.30cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9780520329751


ISBN 10:   0520329759
Pages:   260
Publication Date:   25 January 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Contents List of Illustrations Acknowledgments Note on Transliteration and Titles Introduction  1. An Afterlife for Junk Prints     Film Traffic and Regional Influence    Serials Out of Sync    Ironies of Appropriation     2. Circulation Worries    Sustenance: Engineering and Maintenance    Copyright: The Public Good and Creativity    License: Junk Prints and Affidavits of Destruction    Obsolescence: Dubbing Technologies and Leverage     3. Collage Sound as Industrial Practice    Founding and the Found    Archiving, Assembly, and Recognition    Temp Love, Out of Sync    Relaying the Popular Song     4. The Anxious Exuberance of Tehran Noir    The Crime Thriller as Currency in the Press    Currency Disputes    Aesthetic Standards and Scarce Resources    Modularity and Fluency    Mixed Signals of Kin and Home     5. Eastern Boys and Failed Heroes    Year of The Heroes    Failures of The Heroes    Kimiai’s First Film Cycle    Sponsorship, Nostalgia, and Collecting    Under the Sign of Rio Bravo    Coda     Notes Index

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Author Information

Kaveh Askari is Associate Professor and Director of the Film Studies Program at Michigan State University. He is author of Making Movies into Art.   

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