ReFocus: The Historical Films of Ernst Lubitsch

Author:   David John Boyd (Postdoctoral Research Fellow, University of Glasgow)
Publisher:   Edinburgh University Press
ISBN:  

9781399532617


Pages:   312
Publication Date:   31 January 2025
Format:   Hardback
Availability:   Temporarily unavailable   Availability explained
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ReFocus: The Historical Films of Ernst Lubitsch


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Overview

ReFocus: The Historical Films of Ernst Lubitsch responds to and reframes the films of German emigre director Ernst Lubitsch as film-philosophical exemplars of both early world cinema and historical cinema, from his silent era costume dramas to his post-war Hollywood romances. This edited collection examines recent Lubitsch scholarship within the context of transcultural and transhistorical film theory to provide a critical retrospective of Lubitsch's costume films, historical epics, and marriage comedies across his three illustrious decades of international success.

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Author:   David John Boyd (Postdoctoral Research Fellow, University of Glasgow)
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
ISBN:  

9781399532617


ISBN 10:   1399532618
Pages:   312
Publication Date:   31 January 2025
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

Table of Contents

List of Figures Acknowledgements Notes on Contributors Introduction: Ernst Lubitsch’s Touch of the Past - David John Boyd Part I. Lubitsch’s Costume Films: From Berlin to Hollywood (1914–27) 1. Eyeing Egypt: Transparent Orientalism on the Edge of Cinematic Modernity in The Eyes of Mummy Ma (1918) - Christina Parker-Flynn 2. Longing for Visual Attraction: Fashion and Fabrics as Sensual Quality in the Early Films of Ernst Lubitsch - Evelyn Echle 3. The Woven World-Image: Lubitsch, Deleuze and the Film-Philosophies of Fabric - David John Boyd 4. ‘The Lubitsch Touch' under National Socialism: Lubitsch’s Early Historicals and Their Influence on Nazi Film Aesthetics - Mina Radović 5. ‘Do You Know That You Two Are Married to Each Other?’: The Oyster Princess and The Doll (1919) as Farces of Sex and Class - Ciara Moloney 6. Carnival, Spectatorship and Desire in Rosita (1923) - Irene Rihuete Varea Part II. Lubitsch’s Pre-Code Imaginary (1928–33) 7. Lubitsch’s ‘Hidden Jewish Touch’: Jewish Anxieties and Gallic Desires - Craig Svonkin 8. ‘This Is Real!’: Money in Trouble in Paradise (1932) - Kyle Stine Part III. Lubitsch’s Émigré Hollywood (1934–48) 9. The Earnest Turn in Ernst’s Historiography - Amin Heidari 10. Pariah Humour: Ernst Lubitsch’s Refugee Comedies - Fabrizio S. Ciccone 11. Fighting Fascism: Ernst Lubitsch’s To Be or Not to Be (1942) - Jan-Christopher Horak 12. Ernst Lubitsch in Dialogue with History - Margie Burns 13. History and/as Genre in the Work of Fritz Lang and Ernst Lubitsch - Matthew Williamson 14. Remaking Lubitsch in Hong Kong Cinema: The Ninotchka Trope in Her Fatal Ways (1991) - Jessica Siu-yin Yeung Index

Reviews

Like adjusting the lens on a projector, this volume brings Lubitsch's films into sharper focus, revealing new dimensions. The authors convincingly refocus our vision of Lubitsch's humanizing touch with fresh insights and diverse approaches that illuminate the global impact of his style and demonstrate why his historical films continue to reward close analysis long after their initial flicker.-- ""Mason Kamana Allred, associate professor of communication, media, and culture, Brigham Young University--Hawaii"" This rich, theoretically ambitious volume explores the relationship between history (social and film history) and Lubitsch's films of both the German and the American periods. The emphasis on the tactile in Lubitsch is especially original and promising. The authors collected here bring diverse, multinational perspectives to the volume.-- ""Rick McCormick, Professor Emeritus of German, University of Minnesota""


Like adjusting the lens on a projector, this volume brings Lubitsch’s films into sharper focus, revealing new dimensions. The authors convincingly refocus our vision of Lubitsch’s humanizing touch with fresh insights and diverse approaches that illuminate the global impact of his style and demonstrate why his historical films continue to reward close analysis long after their initial flicker. * Mason Kamana Allred, associate professor of communication, media, and culture, Brigham Young University—Hawaii * This rich, theoretically ambitious volume explores the relationship between history (social and film history) and Lubitsch’s films of both the German and the American periods. The emphasis on the tactile in Lubitsch is especially original and promising. The authors collected here bring diverse, multinational perspectives to the volume. * Rick McCormick, Professor Emeritus of German, University of Minnesota *


Author Information

David John Boyd is a post-doctoral research fellow of the Stirling Maxwell Centre in the School of Modern Languages and Cultures at the University of Glasgow. His research focuses include historical representation in film, film-philosophies of embodiment, and theories of intermediality and adaptation in global visual culture. His recent publications include From Glasgow to Gotham: The Comics Art of Frank Quitely with Julie Briand-Boyd (forthcoming 2025) and Deleuze and Global Animation: Estranged Images (forthcoming 2026).

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