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OverviewExplores the detail of Jane Campion's film and television output, considering her vision and practice, legacy, and her contribution to feminist filmmaking Includes multiple approaches consolidated within a feminist framework Engages with Campion's oeuvre to-date Considers Campion's engagement with feminism and feminist filmmaking Jane Campion's work shines a spotlight on gender relations, often through complex female characters and an innovative approach to the screen representation of women functioning at the edges of society. Campion is vocal about the under-representation of women in the film industry more generally, though her commitment to the notion of feminism is tempered by an ambivalence towards the term. Despite this ambiguity, Campion's continued focus on women merits an exploration of her work through a feminist lens particularly in the wake of #MeToo, which has had a wide-ranging impact on the film industry. Full Product DetailsAuthor: Alexia Bowler , Adele JonesPublisher: Edinburgh University Press Imprint: Edinburgh University Press Dimensions: Width: 15.60cm , Height: 1.40cm , Length: 23.40cm Weight: 0.481kg ISBN: 9781399500265ISBN 10: 1399500260 Pages: 216 Publication Date: 31 May 2023 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews"""This impressive and timely book is a welcome addition to the scholarship on Jane Campion, a filmmaker whose work, despite her significance, remains under-researched. The essays revisit her early, often neglected, films as well as offering new insights into canonical texts such as The Piano, and exploring more recent films, including The Power of the Dog."" -Estella Tincknell, University of the West of England" Author InformationAlexia L. Bowler is a Senior Lecturer at Swansea University. She co-edited, with Jess Cox, a special issue of Journal of Neo-Victorian Studies on adaptation. Her most recent article on Jane Campion and In the Cut was published in Feminist Theory (2018).Adele Jones is a Tutor at Swansea University. She has published on Sarah Waters, Mich le Roberts, and neo-Victorianism, and co-edited Sarah Waters and Contemporary Feminisms (2016, with Claire O'Callaghan). Tab Content 6Author Website:Countries AvailableAll regions |