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OverviewFull Product DetailsAuthor: Alexandra Heller-Nicholas , Dean BrandumPublisher: Edinburgh University Press Imprint: Edinburgh University Press Dimensions: Width: 16.30cm , Height: 2.00cm , Length: 23.40cm Weight: 0.522kg ISBN: 9781474440189ISBN 10: 1474440185 Pages: 264 Publication Date: 31 July 2019 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsIt's welcome to see a compendium looking to resituate May from the fringes of contemporary American cinema. Between the collection of smart, meaty pieces and their dazzling array of footnotes, we now have something to begin 'passing the ball' to future authors who can continue the May renaissance. -- Ian Mantgani, Sight & Sound In this compact but authoritative volume, Heller-Nicholas and Brandum have collected an excellent group of essays covering the entire breadth of May's career. --G. A. Foster Choice It's welcome to see a compendium looking to resituate May from the fringes of contemporary American cinema. Between the collection of smart, meaty pieces and their dazzling array of footnotes, we now have something to begin 'passing the ball' to future authors who can continue the May renaissance. --Ian Mantgani Sight & Sound Author InformationAlexandra Heller-Nicholas is an Australian film critic. She has written six books on cult film with a focus on gender politics, and has published for fifteen years in magazines, journals, edited collections and home entertainment releases. Alexandra recently co-authored a book on filmmakers Hélène Cattet and Bruno Forzani, and in 2017 co-curated the ""Pioneering Women"" program at the 2017 Melbourne International Film Festival which celebrated Australian women's filmmaking in the 1980s and 1990s. Alexandra is also a member of Alliance of Women Film Journalists. Dean Brandum is an independent film historian. He gained his PhD at Deakin University (Australia) in 2016 for analysis of historical box office takings. He has taught at a number of universities in Melbourne and has written for various publications, generally on the topic of film distribution. His first book Technicolouryawn: Melbourne Drive-ins in 1970 is forthcoming. Tab Content 6Author Website:Countries AvailableAll regions |
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