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OverviewFrom Virginia Woolf to David Foster Wallace and beyond, 'redemptive hybridism' – a new way of reading texts full of possibility and genre blending – emerges as a key trajectory for post-postmodernity. Tasha Haines investigates what she calls 'redemptive hybridism' a tendency in post-postmodern writing characterized by possibility. She suggests that near the 21st century, postmodern élitisme gives way to a reparative blending of high-low forms and genre collaborations for challenging and extending the relationship between writer, written material, and reader. By combining an innovative literary investigation with creative and auto-theoretical strategies, Haines offers valuable new interpretations for texts of ‘the modernisms continuum’. Her conversational survey moves among the hybridity of Virginia Woolf, the paratextuality of David Foster Wallace, with Nathalie Sarraute, Édouard Levé, Maggie Nelson and more. In reference to Deleuze and Guattari, Hassan, and others, writers are curated for their approach to form, method, and content, evoking and invoking textual hybridity. Haines articulates a new way of viewing works via comparisons and close-ups that exemplify the possibility and genre-blending that is Redemptive Hybridism in Post-Postmodern Writing. Full Product DetailsAuthor: Dr. Tasha Haines (Independent Scholar, New Zealand)Publisher: Bloomsbury Publishing Plc Imprint: Bloomsbury Academic USA Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.454kg ISBN: 9781501394508ISBN 10: 1501394509 Pages: 168 Publication Date: 14 December 2023 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsPreface Introduction: The Enemy Within Taking Enemies In This Multivariant Plot The Vitality of Difference A Lineage of Wariness and Influence The Terrible Postmodern Party Part I: Features of Redemptive Hybridism 1. The Redemptive Textual Body Etymologies Umbilical Connection, Author to Text The Word Made Flesh 2. The Hybrid Middle Pushing out towards Ends Sarraute as Middle Parataxis and the Middle Time and Unfinishedness 3. Family Traits of Fragmentation The Fragmented Mind Constraint, Minimalism, and the Caveat Vestibule and Fringe Ethics, Alterity, and the Reader The Ethical, The Moral, and the Difference High, Low, High Low, It's Off to Blend We Go Part II: Figures of Redemptive Hybridism 4. Woolf's Atom; The Image of Hybridity Begin with the Atom, Virginia Woolf Saturation in Woolf and Wallace Mrs. Dalloway as Fertile Ground Inter-genre Woolf It Ends Where It Begins, with the Atom 5. Finding a Name for Possibility Postmodernism, Feminism, and Agency Finding Names and Building Frames Call Me[a]taxy: Some Recent Pre-fixes 6. The Pale King's Constellation; Factoids, Ghosts, and Boredom Tell the Truth, David Foster Wallace Everyday Ghosts, Souls, & Phantoms Ambiguity & Contradiction in The Pale King Boredom: Between Crisis & Epiphany A Conclusion, of Sorts; This Is Not the End References IndexReviewsWith humility, skill, and ingenuity, Tasha Haines co-mingles philosophy, theory, and artistic autobiography to approach some of the most complex texts in the modernisms continuum. In Redemptive Hybridism, the hybrid, creative theories of Deleuze and Guattari, Hassan, Lyotard, Eagleton, Bakhtin, and others, flow through Virginia Woolf’s atomic saturation, David Foster Wallace’s unfinishedness, and Maggie Nelson’s fragments. Haines’ marriage of form and content is unusually lucid. It is a rare delight to accept Haines’ invitation “to engage spaces of possibility in recognition of the fact that nothing ever really dies it simply crosses over, hybridly, redemptively. * Marcela Sulak, Professor of English Literature and Linguistics, Bar-Ilan University, Israel * A playful, probing text that not only forges new pathways for considering two major figures of the 20th century, but also provocatively invites the reader to reflect on their own role in the process. Reversing and disrupting received wisdom, Haines assembles a ludic and agile critical apparatus that is both critically rigorous and enormously enjoyable to read. * Clare Hayes-Brady, Associate Professor of American Literature, University College Dublin, Ireland * 'To be “post” is to hold onto the past while transforming it,’ Tasha Haines writes in her introduction. Firmly situating this study in the 21st century, hybridization emerges as a recuperative, exploratory act. Only with the un-mooring that comes with such risk, Haines argues, is real discovery—a re-envisioning of the terrain artists and theorists have covered and recovered—possible. * Jacqueline Kolosov, Professor of Creative Writing, Texas Tech University, USA * Author InformationTasha Haines is a writer and maker of hybrid forms, based in New Zealand. She has a background in mixed-media arts practice and teaching, with a PhD in literary theory and creative writing. Tab Content 6Author Website:Countries AvailableAll regions |
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