Overview

Imprisoned in the Gulags for a crime he did not commit, Benya Golden joins a penal battalion made up of Cossacks and convicts to fight the Nazis. He enrolls in the Russian cavalry, and on a hot summer day in July 1942, he and his band of brothers are sent on a suicide mission behind enemy lines--but is there a traitor among them? The only thing Benya can truly trust is his horse, Silver Socks, and that he will find no mercy in onslaught of Hitler's troops as they push East.Spanning ten epic days, between Benya's war on the grasslands of southern Russia and Stalin's intrigues in the Kremlin, between Benya's intense affair with an Italian nurse and a romance between Stalin's daughter and a war correspondent, this is a sweeping story of passion, bravery, and survival--where betrayal is a constant companion, death just a heartbeat away, and love, however fleeting, offers a glimmer of redemption.

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9781681779072

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Reviews

A gripping novel. Montefiore is brilliant at depicting brooding menace. As the penal battalions are given increasingly risky missions, it is Benya's journey on horseback that we follow behind enemy lines in the grasslands of southern Russia. An epic tale. The language is arresting. It's all beautifully done: a western on the eastern front. The gripping final installment of The Moscow Trilogy tells of a man wrongly imprisoned in the Gulags and his fight for redemption. Meticulously researched. In this searing tale of love and war, most moving is the redemptive relationship between a soldier and a nurse that blooms amid the brutality. An homage to the author's favorite Russian writers and the Western masterpieces of Larry McMurtry, Cormac McCarthy and Elmore Leonard, such influences pervade this atmospheric tale told in the author's distinct own voice. Amidst the killing and the chaos, a group of prisoners are offered a chance of redemption on a secret mission behind enemy lines on horseback. Montefiore has a keen sense of place and an eye of unexpected details. Switching between the frontline on the Russian steppes and Stalin in the Kremlin, this is an exciting and fast-paced adventure and a lament for love in dark and brutal times. Montefiore's skill with imagery is such that he immerses the reader in an utterly ethereal landscape, only to snap them into horror as men emerge from rippling sunflowers with 'swords streaked with blood and grass, ' and that soft horizon is suddenly filled 'squadrons of tanks like steel cockroaches.' Montefiore can effortlessly meld beauty with battle. Vivid and impeccably researched. In this third volume of The Moscow Trilogy, the fate of combatants and civilians is often harsh. With his feel for vivid and immediate drama and impressive research, the author evokes the extreme turbulence and violence impacting on individuals. Writing with passion, Montefiore makes the point that, up against the huge forces of war, the struggle for personal resolution can be tragic--but never wasted. Montefiore is a natural storyteller who brings his encyclopedic knowledge of Russian history to life in language that glitters. Montefiore shows that the historian seeking the truth must call upon creativity as much as upon meticulous research. Here's hoping we get more spellbinding historical fiction from him. The gritty war scenes and the lovers' pursuit keep the pages turning.

A gripping novel. Montefiore is brilliant at depicting brooding menace. As the penal battalions are given increasingly risky missions, it is Benya's journey on horseback that we follow behind enemy lines in the grasslands of southern Russia. An epic tale. The language is arresting. It's all beautifully done: a western on the eastern front. The gripping final installment of The Moscow Trilogy tells of a man wrongly imprisoned in the Gulags and his fight for redemption. Meticulously researched. In this searing tale of love and war, most moving is the redemptive relationship between a soldier and a nurse that blooms amid the brutality. An homage to the author's favorite Russian writers and the Western masterpieces of Larry McMurtry, Cormac McCarthy and Elmore Leonard, such influences pervade this atmospheric tale told in the author's distinct own voice. Montefiore's skill with imagery is such that he immerses the reader in an utterly ethereal landscape, only to snap them into horror as men emerge from rippling sunflowers with 'swords streaked with blood and grass, ' and that soft horizon is suddenly filled 'squadrons of tanks like steel cockroaches.' Montefiore can effortlessly meld beauty with battle. Vivid and impeccably researched. In this third volume of The Moscow Trilogy, the fate of combatants and civilians is often harsh. With his feel for vivid and immediate drama and impressive research, the author evokes the extreme turbulence and violence impacting on individuals. Writing with passion, Montefiore makes the point that, up against the huge forces of war, the struggle for personal resolution can be tragic--but never wasted. The gritty war scenes and the lovers' pursuit keep the pages turning. Amidst the killing and the chaos, a group of prisoners are offered a chance of redemption on a secret mission behind enemy lines on horseback. Montefiore has a keen sense of place and an eye of unexpected details. Switching between the frontline on the Russian steppes and Stalin in the Kremlin, this is an exciting and fast-paced adventure and a lament for love in dark and brutal times. Montefiore is a natural storyteller who brings his encyclopedic knowledge of Russian history to life in language that glitters. Montefiore shows that the historian seeking the truth must call upon creativity as much as upon meticulous research. Here's hoping we get more spellbinding historical fiction from him.

The gritty war scenes and the lovers' pursuit keep the pages turning. A gripping novel. Montefiore is brilliant at depicting brooding menace. As the penal battalions are given increasingly risky missions, it is Benya's journey on horseback that we follow behind enemy lines in the grasslands of southern Russia. An epic tale. The language is arresting. It's all beautifully done: a western on the eastern front. The gripping final installment of The Moscow Trilogy tells of a man wrongly imprisoned in the Gulags and his fight for redemption. Meticulously researched. In this searing tale of love and war, most moving is the redemptive relationship between a soldier and a nurse that blooms amid the brutality. An homage to the author's favorite Russian writers and the Western masterpieces of Larry McMurtry, Cormac McCarthy and Elmore Leonard, such influences pervade this atmospheric tale told in the author's distinct own voice. Amidst the killing and the chaos, a group of prisoners are offered a chance of redemption on a secret mission behind enemy lines on horseback. Montefiore has a keen sense of place and an eye of unexpected details. Switching between the frontline on the Russian steppes and Stalin in the Kremlin, this is an exciting and fast-paced adventure and a lament for love in dark and brutal times. Montefiore's skill with imagery is such that he immerses the reader in an utterly ethereal landscape, only to snap them into horror as men emerge from rippling sunflowers with 'swords streaked with blood and grass, ' and that soft horizon is suddenly filled 'squadrons of tanks like steel cockroaches.' Montefiore can effortlessly meld beauty with battle. Vivid and impeccably researched. In this third volume of The Moscow Trilogy, the fate of combatants and civilians is often harsh. With his feel for vivid and immediate drama and impressive research, the author evokes the extreme turbulence and violence impacting on individuals. Writing with passion, Montefiore makes the point that, up against the huge forces of war, the struggle for personal resolution can be tragic--but never wasted. Montefiore is a natural storyteller who brings his encyclopedic knowledge of Russian history to life in language that glitters. Montefiore shows that the historian seeking the truth must call upon creativity as much as upon meticulous research. Here's hoping we get more spellbinding historical fiction from him.

Author Information

"Simon Sebag Montefiore's prize-winning, bestselling novels are published in twenty-seven languages. Red Sky at Noon is the last of the acclaimed ""Moscow Trilogy,"" which includes Sashenka and One Night in Winter, which was long-listed for the Orwell Prize. Montefiore's nonfiction books include Jerusalem: The Biography, a #1 Holiday Book Pick on the TODAY show, Young Stalin, winner of the Los Angeles Times Book Prize for Biography, and most recently, The Romanovs, which was a New York Times bestseller. Visit him at www.simonsebagmontefiore.com or on twitter @simonmontefiore."

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