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Overview'Paling's deftly drawn vignettes are frequently funny, sometimes sad and occasionally troubling . . . Borrow a copy from your local library, if you still have one. Better yet, buy it' Neil Armstrong, Mail on Sunday 'Not only was I captivated by Paling's lovingly wrought series of pen portraits, I was amused, moved and - perhaps most surprising of all - uplifted' John Preston, Daily Mail 'There are many detractors who question whether libraries are still relevant in the digital age. Paling's keenly and kindly observed account of his encounters offers a gentle insight as to why they still are' Helen Davies, Sunday Times Chris works as a librarian in a small-town library in the south of England. This is the story of the library, its staff, and the fascinating group of people who use the library on a regular basis. We'll meet characters like the street-sleepers Brewer, Wolf and Spencer, who are always the first through the doors. The Mad Hatter, an elderly man who scurries around manically, searching for books. Sons of Anarchy Alan, a young Down's Syndrome man addicted to the American TV drama series. Startled Stewart, a gay man with a spray-on tan who pops in most days for a nice chat, sharking for good-looking foreign language students. And Trish, who is relentlessly cheerful and always dressed in pink - she has never married, but the marital status of everybody she meets is of huge interest to her. Some of the characters' stories are tragic, some are amusing, some are genuinely surreal, but together they will paint a bigger picture of the world we live in today, and of a library's hugely important place within it. Yes, of course, people come in to borrow books, but the library is also the equivalent of the village pump. It's one of the few places left where anyone, regardless of age or income or background, can wander in and find somebody to listen to their concerns, to share the time of day. Reading Allowed will provide us with a fascinating portrait of a place that we all value and cherish, but which few of us truly know very much about ... Full Product DetailsAuthor: Chris PalingPublisher: Little, Brown Book Group Imprint: Constable Dimensions: Width: 12.80cm , Height: 2.40cm , Length: 19.60cm Weight: 0.220kg ISBN: 9781472124722ISBN 10: 1472124723 Pages: 320 Publication Date: 01 February 2018 Audience: General/trade , College/higher education , Professional and scholarly , General , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsPaling's deftly drawn vignettes are frequently funny, sometimes sad and occasionally troubling . . . Borrow a copy from your local library, if you still have one. Better yet, buy it - Mail on Sunday Not only was I captivated by Paling's lovingly wrought series of pen portraits, I was amused, moved and - perhaps most surprising of all - uplifted - Daily Mail There are many detractors who question whether libraries are still relevant in the digital age. Paling's keenly and kindly observed account of his encounters offers a gentle insight as to why they still are - Sunday Times Restorative, gently British feel of these pages . . . It's fun, it's breezy . . . and it's full of Great British Quirk. It made me feel at home, and I recommend it strongly - The Book Bag Much of the dialogue is worthy of Alan Bennett - Spectator Paling's unflashy, plain-speaking and observant style is engaging - Sunday Herald Paling is an observant writer, with a brilliant ear for dialogue, and he sketches the eccentric cast of employees and customers perfectly. Although there is humour here, there is also pathos, as the library dwindles to become the haunt of the elderly and the homeless - a snapshot of people and institutions on the margins of the digital age, a poignant record of the unconnected life - Tablet Minutely observed cast . . . It is pinpoint-specific, as personal as a fingerprint or a reading record . . . The characters here lift these interlinked vignettes into something altogether richer - Times Literary Supplement Reading Allowed is a must for bibliophiles and those with a curiosity to understand exactly what goes on in that building that you might visit, or indeed that building that you walk past everyday * Rebel Voice * Minutely observed cast . . . It is pinpoint-specific, as personal as a fingerprint or a reading record . . . The characters here lift these interlinked vignettes into something altogether richer -- Imogen Russell Williams * Times Literary Supplement * Paling is an observant writer, with a brilliant ear for dialogue, and he sketches the eccentric cast of employees and customers perfectly. Although there is humour here, there is also pathos, as the library dwindles to become the haunt of the elderly and the homeless - a snapshot of people and institutions on the margins of the digital age, a poignant record of the unconnected life -- Chris Nancollas * Tablet * Paling's unflashy, plain-speaking and observant style is engaging -- Rosemary Goring * Sunday Herald * Much of the dialogue is worthy of Alan Bennett -- Mark Mason * Spectator * Restorative, gently British feel of these pages . . . It's fun, it's breezy . . . and it's full of Great British Quirk. It made me feel at home, and I recommend it strongly * The Book Bag * There are many detractors who question whether libraries are still relevant in the digital age. Paling's keenly and kindly observed account of his encounters offers a gentle insight as to why they still are -- Helen Davies * Sunday Times * Not only was I captivated by Paling's lovingly wrought series of pen portraits, I was amused, moved and - perhaps most surprising of all - uplifted -- John Preston * Daily Mail * Paling's deftly drawn vignettes are frequently funny, sometimes sad and occasionally troubling . . . Borrow a copy from your local library, if you still have one. Better yet, buy it -- Neil Armstrong * Mail on Sunday * Minutely observed cast . . . It is pinpoint-specific, as personal as a fingerprint or a reading record . . . The characters here lift these interlinked vignettes into something altogether richer -- Imogen Russell Williams * Times Literary Supplement * Paling is an observant writer, with a brilliant ear for dialogue, and he sketches the eccentric cast of employees and customers perfectly. Although there is humour here, there is also pathos, as the library dwindles to become the haunt of the elderly and the homeless - a snapshot of people and institutions on the margins of the digital age, a poignant record of the unconnected life -- Chris Nancollas * Tablet * Paling's unflashy, plain-speaking and observant style is engaging -- Rosemary Goring * Sunday Herald * Much of the dialogue is worthy of Alan Bennett -- Mark Mason * Spectator * Restorative, gently British feel of these pages . . . It's fun, it's breezy . . . and it's full of Great British Quirk. It made me feel at home, and I recommend it strongly * The Book Bag * There are many detractors who question whether libraries are still relevant in the digital age. Paling's keenly and kindly observed account of his encounters offers a gentle insight as to why they still are -- Helen Davies * Sunday Times * Not only was I captivated by Paling's lovingly wrought series of pen portraits, I was amused, moved and - perhaps most surprising of all - uplifted -- John Preston * Daily Mail * Paling's deftly drawn vignettes are frequently funny, sometimes sad and occasionally troubling . . . Borrow a copy from your local library, if you still have one. Better yet, buy it -- Neil Armstrong * Mail on Sunday * Author InformationThis is Chris Paling's first work of non-fiction. Chris's fiction has been praised by Nick Hornby, Jonathan Coe, Giles Foden, Liz Jensen, Shena Mackay and many others. Chris also writes for the weekend papers and is a regular contributor to the Sunday Telegraph Travel section - and he has recently embarked on playwriting. His broadcasting career spans radio and television. An acclaimed radio documentary maker, he co-conceived The Village, credited as the first 'real-life' soap. Set in the Hampshire village of Bentley, The Village ran for over 100 episodes on Radio 4 before transferring to television. A further hundred or so episodes were then broadcast on ITV and sold around Europe. The format was developed by the presenter Nigel Farrell into An Island Parish, which still scores highly on BBC 2. For the final 11 years of Chris's Radio 4 career he produced Midweek with Libby Purves. Tab Content 6Author Website:Countries AvailableAll regions |
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