Quiet Pictures: Women and Silence in Contemporary British and French Cinema

Author:   Dr. Sarah Artt (Edinburgh Napier University, UK)
Publisher:   Bloomsbury Publishing Plc
ISBN:  

9781501347214


Pages:   184
Publication Date:   16 May 2024
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Quiet Pictures: Women and Silence in Contemporary British and French Cinema


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Author:   Dr. Sarah Artt (Edinburgh Napier University, UK)
Publisher:   Bloomsbury Publishing Plc
Imprint:   Bloomsbury Academic USA
ISBN:  

9781501347214


ISBN 10:   1501347217
Pages:   184
Publication Date:   16 May 2024
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

In Quiet Pictures, Sarah Artt argues that silence in film is vitally important, especially to our understanding of women’s and femme-presenting people’s experiences. Artt explores silence through the work of four filmmakers – Joanna Hogg, Lynne Ramsay, Céline Sciamma and Lucile Hadžhalilovic – who have been hitherto critically undervalued, a state of affairs that this book triumphantly corrects. Through close analysis of a range of their films, Artt helps us to understand how silence can work as erasure, as unwitting complicity, as resistance, and in many other ways – all of which reveal resoundingly how silence relates to power. Most thrillingly, silence, in Artt’s assessment, “becomes a rich space of potential”, for redefining gender, identity and how people relate to one another. A terrific book. * Edward Lamberti, Writer and Film Historian, UK *


In Quiet Pictures, Sarah Artt argues that silence in film is vitally important, especially to our understanding of women’s and femme-presenting people’s experiences. Artt explores silence through the work of four filmmakers–Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilovic–who have been hitherto critically undervalued, a state of affairs that this book triumphantly corrects. Through close analysis of a range of their films, Artt helps us to understand how silence can work as erasure, as unwitting complicity, as resistance, and in many other ways–all of which reveal resoundingly how silence relates to power. Most thrillingly, silence, in Artt’s assessment, “becomes a rich space of potential,” for redefining gender, identity, and how people relate to one another. A terrific book. * Edward Lamberti, Writer and Film Historian, UK *


Author Information

Sarah Artt is Lecturer in English and Film at Edinburgh Napier University, UK. Her research interests include screen adaptations, silence in the cinema, and the representation of women in public. Her work has appeared in Scope, In Media Res, and multiple edited collections.

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