Quentin Tarantino and Film Theory: Aesthetics and Dialectics in Late Postmodernity

Author:   Federico Pagello
Publisher:   Springer Nature Switzerland AG
Edition:   1st ed. 2020
ISBN:  

9783030438210


Pages:   210
Publication Date:   21 October 2021
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Quentin Tarantino and Film Theory: Aesthetics and Dialectics in Late Postmodernity


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Overview

This book examines a set of theoretical perspectives that critically engage with the notion of postmodernism, investigating whether this concept is still useful to approach contemporary cinema. This question is explored through a discussion of the films written and directed by Quentin Tarantino, largely regarded as the epitome of postmodern cinema and considered here as theoretical contributions in their own right.  Each chapter first presents key ideas proposed by a specific theorist and then puts them in conversation with Tarantino’s films. Jacques Rancière’s theory of art is used to reject postmodernism’s claims about the ‘death’ of the aesthetic image in contemporary cinema. Fredric Jameson’s and Slavoj Žižek’s dialectical thinking is mobilized to challenge simplistic, ideological readings of postmodern cinema in general, and Tarantino’s films in particular. Finally, the direct influence of Carol Clover’s psychoanalytical approach to the horror genre on Tarantino’s work isdiscussed to prove the director’s specific contribution to a theoretical understanding of contemporary film aesthetics.       

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Author:   Federico Pagello
Publisher:   Springer Nature Switzerland AG
Imprint:   Springer Nature Switzerland AG
Edition:   1st ed. 2020
Weight:   0.295kg
ISBN:  

9783030438210


ISBN 10:   303043821
Pages:   210
Publication Date:   21 October 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction – From High to Late Postmodernism.- Part One – The Aesthetics of Late Postmodernism.- Chapter 1 – Absolute Style.- Chapter 2: Space as History.- Chapter 3 – Time as Language.- Part Two – The Return of Dialectics.- Chapter 4 – Narrative and Subjectivity.- Chapter 5 – The “Vanishing Point” of Sexual Difference.- Chapter 6 – The Endless End of History.- Conclusion – Godard with Tarantino: Cinema as Enjoyment.

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