Overview

Projecting the Nation: History and Ideology on the Israeli Screen is a wide-ranging history of over seven decades of Israeli cinema.  The only book in English to offer this type of historical scope was Ella Shohat’s Israeli Cinema: East West and the Politics of Representation from 1989.  Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat’s book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project.  By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology.   

Full Product Details

Author:   Eran Kaplan
Publisher:   Rutgers University Press
Imprint:   Rutgers University Press
Dimensions:   Width: 15.60cm , Height: 1.80cm , Length: 23.50cm
Weight:   0.454kg
ISBN:  

9781978813397

ISBN 10:   1978813392
Pages:   216
Publication Date:   15 May 2020
Recommended Age:   From 18 to 99 years
Audience:   College/higher education ,  College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Contents Introduction                                                    1          Pioneers, Fighters and Immigrants                 2          Looking Inward                                              3          Present Absentees                                           4          The Post-Zionist Condition                            5          The Post-Political Turn in Israeli Cinema      6          Eros on the Israeli Screen                               7          In the Image of the Divine                              Epilogue          Big Screens, Small Screens    Acknowledgments

Reviews

“In Projecting the Nation, Eran Kaplan ingeniously analyzes the interrelation of aesthetic, economic, and social forces that have influenced Israeli filmmaking since the state’s inception. Kaplan’s interpretations of genres and individual films are smart, sophisticated, and engaging.”

In Projecting the Nation, Eran Kaplan ingeniously analyzes the interrelation of aesthetic, economic, and social forces that have influenced Israeli filmmaking since the state's inception. Kaplan's interpretations of genres and individual films are smart, sophisticated, and engaging.

In Projecting the Nation, Eran Kaplan ingeniously analyzes the interrelation of aesthetic, economic, and social forces that have influenced Israeli filmmaking since the state's inception. Kaplan's interpretations of genres and individual films are smart, sophisticated, and engaging. --Derek Penslar Author of Israel in History

Author Information

Eran Kaplan is the Goldman Professor in Israel Studies at San Francisco State University.  He is the author of Beyond Post Zionism, The Jewish Radical Right: Revisionist Zionism and Its Ideological Legacy, and with Derek Penslar of The Origins of Israel, 1882-1948: A Documentary History. 

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