Projecting Nation: South African Cinemas after 1994

Author:   Cara Moyer-Duncan
Publisher:   Michigan State University Press
ISBN:  

9781611863635


Pages:   298
Publication Date:   30 July 2020
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Projecting Nation: South African Cinemas after 1994


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Author:   Cara Moyer-Duncan
Publisher:   Michigan State University Press
Imprint:   Michigan State University Press
Dimensions:   Width: 15.20cm , Height: 1.80cm , Length: 22.90cm
Weight:   0.478kg
ISBN:  

9781611863635


ISBN 10:   1611863635
Pages:   298
Publication Date:   30 July 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

""The history of South African film is well documented, especially during the period of political transition. Less well examined is the contemporary post-millennial era, on which Moyer-Duncan's book offers a very useful analytical frame to underpin study of those cinema themes that followed liberation after 1994."" --KEYAN G. TOMASELLI, Distinguished Professor of Communication Studies, University of Johannesburg, and Professor Emeritus and Fellow, University of KwaZulu-Natal


The history of South African film is well documented, especially during the period of political transition. Less well examined is the contemporary post-millennial era, on which Moyer-Duncan's book offers a very useful analytical frame to underpin study of those cinema themes that followed liberation after 1994. --KEYAN G. TOMASELLI, Distinguished Professor of Communication Studies, University of Johannesburg, and Professor Emeritus and Fellow, University of KwaZulu-Natal


"""The history of South African film is well documented, especially during the period of political transition. Less well examined is the contemporary post-millennial era, on which Moyer-Duncan's book offers a very useful analytical frame to underpin study of those cinema themes that followed liberation after 1994."" --KEYAN G. TOMASELLI, Distinguished Professor of Communication Studies, University of Johannesburg, and Professor Emeritus and Fellow, University of KwaZulu-Natal"


Author Information

Cara Moyer-Duncan is an Assistant Professor of Africana Studies in the Institute for Liberal Arts and Interdisciplinary Studies at Emerson College.

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