Overview

Emerging mass culture in nineteenth-century America was in no small way influenced by the Yellow Kid, one of the first popular, serial comic figures circulating Sunday supplements. Though comics existed before, it was through the growing popularity of full-color illustrations printed in such city papers as Inter Ocean (Chicago) and the World (New York) and the implementation of regular, weekly publications of the extra sections that comics became a mass-produced, mass-distributed staple of American consumerism. It was against this backdrop that one of the first popular, serial comic figures was born: the Yellow Kid. Producing Mass Entertainment: The Serial Life of the Yellow Kid offers a new take on the emergence of the Yellow Kid comic figure, looking closely at the mass appeal and proliferation of the Yellow Kid across different media. Christina Meyer identifies the aesthetic principles of newspaper comics and examines the social agents-advertising agencies, toy manufacturers, actors, retailers, and more-responsible for the Yellow Kid's successful career. In unraveling the history of comic characters in capitalist consumer culture, Meyer offers new insights into the creation and dissemination of cultural products, reflecting on modern artistic and merchandising phenomena.

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9780814255605

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Reviews

The author builds on and engages in a thoughtful, critical dialogue with previous scholarship on the Yellow Kid in ways that will make a major contribution to the field of comics studies. --Mark McKinney This book offers new and nuanced readings of R. F. Outcault's famous character. It details how the commercial phenomenon that was the Yellow Kid was vital to the development of comics in the United States. The depth and breadth of scholarship is remarkable. --Lara Saguisag Meyer's exceptional work radically repositions comic strips and makes us see them as a vast enterprise of serial narrative with complex and interlocking features and something far greater than just episodic graphics and texts. --Ian Gordon

"""Meyer's exceptional work radically repositions comic strips and makes us see them as a vast enterprise of serial narrative with complex and interlocking features and something far greater than just episodic graphics and texts.""--Ian Gordon ""The author builds on and engages in a thoughtful, critical dialogue with previous scholarship on the Yellow Kid in ways that will make a major contribution to the field of comics studies."" --Mark McKinney ""This book offers new and nuanced readings of R. F. Outcault's famous character. It details how the commercial phenomenon that was the Yellow Kid was vital to the development of comics in the United States. The depth and breadth of scholarship is remarkable."" --Lara Saguisag"

The author builds on and engages in a thoughtful, critical dialogue with previous scholarship on the Yellow Kid in ways that will make a major contribution to the field of comics studies. --Mark McKinney Meyer's exceptional work radically repositions comic strips and makes us see them as a vast enterprise of serial narrative with complex and interlocking features and something far greater than just episodic graphics and texts. --Ian Gordon This book offers new and nuanced readings of R. F. Outcault's famous character. It details how the commercial phenomenon that was the Yellow Kid was vital to the development of comics in the United States. The depth and breadth of scholarship is remarkable. --Lara Saguisag

Meyer's exceptional work radically repositions comic strips and makes us see them as a vast enterprise of serial narrative with complex and interlocking features and something far greater than just episodic graphics and texts. --Ian Gordon The author builds on and engages in a thoughtful, critical dialogue with previous scholarship on the Yellow Kid in ways that will make a major contribution to the field of comics studies. --Mark McKinney This book offers new and nuanced readings of R. F. Outcault's famous character. It details how the commercial phenomenon that was the Yellow Kid was vital to the development of comics in the United States. The depth and breadth of scholarship is remarkable. --Lara Saguisag

Author Information

Christina Meyer is Visiting Professor in American Studies at the University of Hamburg, Germany. She is the author of War and Trauma Images in Vietnam War Representations.

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