Overview

This volume of the ""Proceedings Of The Musical Association"" offers a fascinating glimpse into the musical thought and scholarship of the late 19th century. Compiled by the Musical Association (Great Britain) and the Royal Musical Association, this collection of papers represents a significant resource for anyone interested in the history of music theory, performance practice, and musical aesthetics. Readers will find detailed discussions and analyses of various musical works, composers, and trends prevalent during the period. The proceedings provide valuable insights into the intellectual climate surrounding music and offer a rich tapestry of viewpoints on the evolving art form. A must-have for musicologists and historians, this volume stands as a testament to the enduring power of musical inquiry. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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9781024713114

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