Postwar Revisited: A Global Art History

Author:   Okwui Enwezor ,  Atreyee Gupta
Publisher:   Duke University Press
ISBN:  

9781478031451


Pages:   360
Publication Date:   31 March 2025
Format:   Paperback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Postwar Revisited: A Global Art History


Overview

Okwui Enwezor’s 2016 exhibition Postwar: Art between the Pacific and the Atlantic, 1945–1965 redefined the history of art produced in those two decades. Nearly a decade later, Postwar Revisited returns to these debates to present an image of a historical period in which Western conceptions of art, aesthetics, and philosophy are all thrown into intense flux after Auschwitz and Hiroshima, while the cultural energies of decolonization generate myriad artistic and intellectual practices across the globe, which re-engage the connections of art to life itself. Focusing on modernist artists, artist collectives, and architects central to dissonant regional traditions, as well as influential exhibitions and patronage systems, the contributors produce a new understanding of emergent postwar global art. Provoking new ways of thinking, engaging, and narrating art history, Postwar Revisited is essential reading for those interested in debates on global art history and global modernism, the intersections between art and decolonization, the cultural aspects of the Cold War and the Non-Aligned Movement, and modern and contemporary art more generally. Contributors. Iftikhar Dadi, Okwui Enwezor, Patrick Flores, Hal Foster, Boris Groys, Atreyee Gupta, Elizabeth Harney, Jennifer Josten, Vivian Li, Tara McDowell, Alexandra Munroe, Nada Shabout, Terry Smith, Jenni Sorkin, Ming Tiampo  

Full Product Details

Author:   Okwui Enwezor ,  Atreyee Gupta
Publisher:   Duke University Press
Imprint:   Duke University Press
Weight:   0.703kg
ISBN:  

9781478031451


ISBN 10:   147803145
Pages:   360
Publication Date:   31 March 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

List of Illustrations  xi Preface / Atreyee Gupta  xvii Introduction / Atreyee Gupta  1 Part I. Europe in Transition 1. Creaturely Cobra / Hal Foster  19 1. Decolonizing Modernism/s: Transversal Histories and the Slade School of Fine Art / Ming Tiampo  35 Part II. The Soviet Bloc and Communist China 3. Soviet Art before and after the Thaw / Boris Groys  65 4. Rent Collection Courtyard, the “Atomic Bomb of the Art World” / Vivian Li  79 Part III. Pacific Passages, Atlantic Oscillations 5. Godzilla’s Schizophrenia: Americanization and Amnesia in Postwar Japan / Alexandra Munroe  99 6. The Work of Salvage: Jess, Allegory, and the Atomic Bomb / Tara McDowell  119 7. “The Eternal Modernity of the Church”: Art in the Sugar Mill and the University in the Philippines / Patrick D. Flores  135 8. Antipodean Vision: Postwar Arts in Australia and the South Pacific / Terry Smith  155 9. Integración plástica: The Postwar Synthesis of the Arts as Seen from Mexico in 1952 / Jennifer Josten  173 10. Ancient Modernisms: Illegibility, Women, and 1950s Weaving / Jenni Sorkin  195 Part IV: Decolonizing Constellations 11. Postwar Abstraction: Similarities, Differences, and Other Ophthalmologic Conundrums / Atreyee Gupta  215 12. Enemy of the People: Jewad Selim and the Baghdad Group for Modern Art / Nada Shabout  237 13. Decolonization and Calligraphic Abstraction / Iftikhar Dadi  253 14. Postwar Imaginings: Négritude Legacies and Twarted Universalisms in Dakar and Paris / Elizabeth Harney  277 Bibliography  295 Contributors  321 Index

Reviews

“Okwui Enwezor envisioned the vectors of art and discourse zigzagging within the historical paradigm of postcolonial globality. Witness his momentous 2002 Documenta, his 2015 Venice Biennale (All the World’s Futures), and his sweeping periodization of twentieth-century art history: Postwar, Postcolonial, Post-Communism. His 2016 Postwar exhibition offered divergent radicalities, and so do the related, multiauthored books, including this anthology, coedited with art historian Atreyee Gupta. Committed to ‘thinking historically in the present,’ Enwezor articulated for the art world a complex dynamic of the contemporary.” - Geeta Kapur, author of (When Was Modernism: Essays on Contemporary Cultural Practice in India) “Rethinking the narrow Euro-American basis of ‘postwar’ as an art historical epoch, Postwar Revisited makes a major contribution. It reflects and will further influence the broader spirit of revisionism toward more global understandings of the twentieth century that have been effectively redefining the field of art history over the past two decades.” - Saloni Mathur, author of (A Fragile Inheritance: Radical Stakes in Contemporary Indian Art)


“Okwui Enwezor envisioned the vectors of art and discourse zigzagging within the historical paradigm of postcolonial globality. Witness his momentous 2002 Documenta, his 2015 Venice Biennale (All the World’s Futures) and his sweeping periodization of twentieth-century art history: Postwar, Postcolonial, Post-Communism. The Postwar exhibition offered divergent radicalities, so do the related, multiauthored books, including this anthology coedited with art historian Atreyee Gupta. Committed to ‘thinking historically in the present,’ Enwezor articulated for the art world a complex dynamic of the contemporary.” -- Geeta Kapur, author of * When was Modernism: Essays on Contemporary Cultural Practice in India *


Author Information

Okwui Enwezor (1963–2019) was an internationally recognized and pathbreaking art curator, the former director of Haus der Kunst, founder of Nka: Journal of Contemporary African Art, and the coauthor of numerous books and exhibition catalogs. Atreyee Gupta is Associate Professor of Global Modern Art and South and Southeast Asian Art at the University of California, Berkeley, and author of Non-Aligned: Art, Decolonization, and the Third World Project in India.

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