Posthumous America: Literary Reinventions of America at the End of the Eighteenth Century

Author:   Benjamin Hoffmann (The Ohio State University) ,  Alan J. Singerman (Davidson College)
Publisher:   Pennsylvania State University Press
ISBN:  

9780271080086


Pages:   256
Publication Date:   15 July 2019
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Posthumous America: Literary Reinventions of America at the End of the Eighteenth Century


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Author:   Benjamin Hoffmann (The Ohio State University) ,  Alan J. Singerman (Davidson College)
Publisher:   Pennsylvania State University Press
Imprint:   Pennsylvania State University Press
Dimensions:   Width: 15.20cm , Height: 22.90cm , Length: 22.90cm
Weight:   0.445kg
ISBN:  

9780271080086


ISBN 10:   0271080086
Pages:   256
Publication Date:   15 July 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Contents Acknowledgments Introduction: New World Paradoxes 1. Saint-John de Crèvecoeur and Nostalgia for Colonial America 2. Lezay-Marnésia and Nostalgia for the American Golden Age 3. Chateaubriand and Nostalgia for French America Conclusion: America, a Mobile Sign Appendix Notes Bibliography Index

Reviews

“Benjamin Hoffmann presents, with wonderful insight, a portrait of a young American nation by three French writers. The particular oddity of their perspective, hence the delightful originality of this work, is that what they depict in their various ways is a society and polity that they know to be no longer valid—for which Hoffmann coins the term of ‘posthumous’ narrative, sometimes tainted with nostalgia or outright fiction, in an already-archaic American landscape.” —Philip Stewart,author of Engraven Desire: Eros, Image, and Text in the French Eighteenth Century “A welcome reexamination of major texts.” —Stamos Metzidakis H-France


Benjamin Hoffmann presents, with wonderful insight, a portrait of a young American nation by three French writers. The particular oddity of their perspective, hence the delightful originality of this work, is that what they depict in their various ways is a society and polity that they know to be no longer valid--for which Hoffmann coins the term of 'posthumous' narrative, sometimes tainted with nostalgia or outright fiction, in an already-archaic American landscape. --Philip Stewart, author of Engraven Desire: Eros, Image, and Text in the French Eighteenth Century


Benjamin Hoffmann presents, with wonderful insight, a portrait of a young American nation by three French writers. The particular oddity of their perspective, hence the delightful originality of this work, is that what they depict in their various ways is a society and polity that they know to be no longer valid-for which Hoffmann coins the term of `posthumous' narrative, sometimes tainted with nostalgia or outright fiction, in an already-archaic American landscape. -Philip Stewart, author of Engraven Desire: Eros, Image, and Text in the French Eighteenth Century


Author Information

Benjamin Hoffmann is Assistant Professor of Early Modern French Studies at The Ohio State University. His recent publications include a critical edition of Claude-François de Lezay-Marnésia’s Letters Written from the Banks of the Ohio, also published by Penn State University Press, as well as four novels in French. About the translator: Alan J. Singerman is Richardson Professor Emeritus of French at Davidson College, the translator of Benjamin Hoffmann’s critical edition of Letters Written from the Banks of the Ohio, and the editor and translator of Abbé Prévost’s novel The Greek Girl’s Story, both also published by Penn State University Press.

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