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OverviewIn this book, Lea Gerhards traces connections between three recent vampire romance series; the Twilight film series (2008-2012), The Vampire Diaries (2009-2017) and True Blood (2008-2014), exploring their tremendous discursive and ideological power in order to understand the cultural politics of these extremely popular texts. She uses contemporary vampire romance to examine postfeminist ideologies and discuss gender, sexuality, subjectivity, agency and the body. Discussing a range of conflicting meanings contained in the narratives, Gerhards critically looks genre’s engagement with everyday sexism and violence against women, power relations in heterosexual relationships, sexual autonomy and pleasure, (self-) empowerment, and (self-) surveillance. She asks: Why are these genre texts so popular right now, what specific desires, issues and fears are addressed and negotiated by them, and what kinds of pleasures do they offer? Full Product DetailsAuthor: Lea Gerhards (Leibniz Institute for Psychology Information, Germany) , Claire Nally (Northumbria University UK) , Senior Lecturer Angela Smith (University of Sunderland UK)Publisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Academic Dimensions: Width: 13.80cm , Height: 2.50cm , Length: 21.60cm Weight: 0.454kg ISBN: 9781350215696ISBN 10: 1350215694 Pages: 288 Publication Date: 28 December 2023 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgements Series Editors’ Introduction Introduction: The Cultural Politics of Contemporary Vampire Romance 1. More than a Backlash: The Contradictions of Postfeminist Culture 2. Paranormal Romance: A Quintessentially Postfeminist Genre? 3. The Politics of Looking: Female Protagonists between Subject and Object 4. Vampire Transformation as Makeover: The Making of Ideal Postfeminist Subjects 5. Fantasy Solutions to Postfeminist Culture: Vampire Heroes and Postfeminist Masculinity Conclusion: Paradoxical Pleasures Notes Bibliography IndexReviewsInsightful, compelling and provocative, this book offers an enlightening analysis of the global phenomenon of vampire romance that has as much to tell us about gender, sexuality and post-feminism as it does the vampires that we love, or love to hate. A must-read for fans and scholars alike --Stacey Abbott, University of Roehampton London, UK. Interrogating the tricky terrain of post-feminist discourse via a close reading of three vampire juggernauts of the early 2000s, Gerhard's book offers an incisive deep-dive into contemporary gender politics. --Natalie Wilson, California State University San Marcos, USA. Gerhards offers a comprehensive look at three populist vampire texts that provides a strong introduction to vampire studies for undergraduates across the liberal arts. Using a sophisticated analysis, she reconstructs arguments from many well know feminist and cultural theorists to help guide new scholars through the ways vampire products can help students navigate gender and identity in the 21st century. --Melissa Anyiwo, Curry College, USA Author InformationLea Gerhards is Research Associate at the Leibniz Institute for Psychology Information, Germany. Her research interests include gender and queer studies, feminist theory, and popular culture studies. Tab Content 6Author Website:Countries AvailableAll regions |
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