Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability

Author:   Gerald Sim
Publisher:   Amsterdam University Press
Edition:   0
Volume:   1
ISBN:  

9789463721936


Pages:   254
Publication Date:   01 September 2020
Format:   Hardback
Availability:   In Print   Availability explained
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Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability


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Overview

Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability rethinks theory and style through films that bring the limits of traditional postcolonial frameworks into stark relief. Discover Singapore’s preoccupations with space, Yasmin Ahmad’s Malaysian soundscapes, and Indonesia’s investment in genre. These undertheorized films from geopolitically situated cultures narrate colonial identity within a distinctively Southeast Asian story. Gerald Sim’s immersive journey nurtures connections between narrative film, commercial video, art cinema, and experimental work with an abiding commitment to self-reflexive theorizing. The book culminates in a reflection on the ethics and politics of conducting knowledge work on world cinema. Sim navigates Singapore’s love of maps with the work of Tom Conley and Gilles Deleuze, surveys the city-state’s cartographic uncanny, before using the spatial inquisitions in filmmaker Tan Pin Pin’s “cinema of hiraeth” to appreciate Singapore’s territorial predispositions. The book then revisits a beloved Malaysian director's voice of modernity alongside Jean-Luc Nancy’s phenomenologies of listening and globalization. Original readings of Ahmad’s oeuvre dwell on the interplay between her ethnic cacophonies and imperfect subtitling. Finally, Sim focuses on the postcoloniality of Indonesia’s Cold War alliance with the United States to contemplate the overhang of authoritarian stability within its contemporary cinema’s generic recourse.

Full Product Details

Author:   Gerald Sim
Publisher:   Amsterdam University Press
Imprint:   Amsterdam University Press
Edition:   0
Volume:   1
ISBN:  

9789463721936


ISBN 10:   9463721932
Pages:   254
Publication Date:   01 September 2020
Audience:   Professional and scholarly ,  Adult education ,  Professional & Vocational ,  Further / Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgments Introduction: Expanding the Postcolonial Map An Unfamiliar Postcoloniality Touchstones in Postcolonial Film Studies: On Style and Practice Strategies Old and New Cold Wars and Methodological Debates Chapter 1: Postcolonial Spatiality: Singapore Maps its Cinema Aerial Maps Affective Colonial Maps The Persistence of Colonial Spatiality Chapter 2: Reorienting Film History Spatially Finding Singapore in the Impossibilities of Tan Pin Pin The Vexed Images of Singapore's New Wave Chapter 3: Postcolonial Cacophonies: Malaysia Senses the World Nancian Soundscapes Resonant Subjects Postcolonial Globalism Chapter 4: Postcolonial Myths: Indonesia Americanizes Stability A Brief History of Sublation American Influence The Road to Reformasi Conclusion: A Look Forward for Southeast Asian Film Studies Theorizing Edwin What Theory and Southeast Asian Cinema Mean to Each Other Bibliography Index

Reviews

An absolutely fascinating and illuminating read, Postcolonial Hangups in Southeast Asian Cinema is a most welcome addition to the vital body of work on world cinemas. Written with a warm and welcoming prose, it brings alive as-yet underappreciated films from Singapore, Malaysia and Indonesia in an affective, even atmospheric, manner. What stands out most is the carefully considered and commendably self-aware engagement of these South East Asian cinemas with theory. The result of this is an enjoyable book which offers the opportunity to shake up accepted ways of thinking about what theory can tell us about postcolonial cinema. The findings of this remarkable book are of pertinence for scholars looking to decolonise thinking around the globe. As such its resonance will undoubtedly be felt for many years to come. - David Martin-Jones, author of Cinema Against Doublethink (2018), Deleuze and World Cinemas (2011), Deleuze, Cinema and National Identity (2006). Wide-ranging and comprehensive, Gerald Sim's study at the intersection of postcolonial theory and politics exposes gaps and chasms with a nuanced eye. His close readings capture important cultural ironies, and he applies theories of film sound and space to enlightening effect. Anyone with an interest in Southeast Asian cinema needs to read this book. - Tan Pin Pin, director of Singapore GaGa (2005) and In Time to Come (2017).


An absolutely fascinating and illuminating read, Postcolonial Hangups in Southeast Asian Cinema is a most welcome addition to the vital body of work on world cinemas. Written with a warm and welcoming prose, it brings alive as-yet underappreciated films from Singapore, Malaysia and Indonesia in an affective, even atmospheric, manner. What stands out most is the carefully considered and commendably self-aware engagement of these South East Asian cinemas with theory. The result of this is an enjoyable book which offers the opportunity to shake up accepted ways of thinking about what theory can tell us about postcolonial cinema. The findings of this remarkable book are of pertinence for scholars looking to decolonise thinking around the globe. As such its resonance will undoubtedly be felt for many years to come. - David Martin-Jones, author of Cinema Against Doublethink (2018), Deleuze and World Cinemas (2011), Deleuze, Cinema and National Identity (2006). Wide-ranging and comprehensive, Gerald Sim's study at the intersection of postcolonial theory and politics exposes gaps and chasms with a nuanced eye. His close readings capture important cultural ironies, and he applies theories of film sound and space to enlightening effect. Anyone with an interest in Southeast Asian cinema needs to read this book. - Tan Pin Pin, director of Singapore GaGa (2005) and In Time to Come (2017).


Author Information

Gerald Sim is an Associate Professor of Film and Media Studies at Florida Atlantic University, the author of The Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema (2014), and Lee Kong Chian NUS-Stanford Fellow on Contemporary Southeast Asia in 2016-2017.

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