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OverviewA unique study of four major post-war European films by four key 'auteurs', which argues that these films exemplify film modernism at the peak of its philosophical reflection and aesthetic experimentation. Full Product DetailsAuthor: H. FordPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 2.10cm , Length: 21.60cm Weight: 0.500kg ISBN: 9780230368873ISBN 10: 0230368875 Pages: 284 Publication Date: 29 October 2012 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction PART I: THE NEGATIVE IMPRESSION Cinema's Ontological Challenge Reflexive Formal Violence PART II: AN ANXIOUS PAUSE Dangerous Temporalities A New World Conclusion Works Cited Notes IndexReviews'Ford draws on a wide range of research across film, modernist cultural and aesthetic theory and continental philosophical terrains. The work engages both with more recent film-philosophy scholarship and the disciplinary resources of film studies work on the movements and individual filmmakers in question. A successful and important contribution to scholarship on these films, their historical and aesthetic significance and their capacity to 'do' philosophy.' - Patrick Crogan, University of the West of England, UK Author InformationHAMISH FORD is Lecturer in Film, Media and Cultural Studies at Newcastle University, Australia. He has published journal articles in The Year's Work in Critical and Cultural Theory, Senses of Cinema and Real Time, and has contributed to books including New Takes in Film-Philosophy (Palgrave, 2011). Tab Content 6Author Website:Countries AvailableAll regions |
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