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OverviewA unique study of four major post-war European films by four key 'auteurs', which argues that these films exemplify film modernism at the peak of its philosophical reflection and aesthetic experimentation. Full Product DetailsAuthor: H. FordPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Edition: 1st ed. 2012 Weight: 0.380kg ISBN: 9781349350131ISBN 10: 1349350133 Pages: 284 Publication Date: 01 January 2012 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsReviews'Ford draws on a wide range of research across film, modernist cultural and aesthetic theory and continental philosophical terrains. The work engages both with more recent film-philosophy scholarship and the disciplinary resources of film studies work on the movements and individual filmmakers in question. A successful and important contribution to scholarship on these films, their historical and aesthetic significance and their capacity to 'do' philosophy.' - Patrick Crogan, University of the West of England, UK Author InformationHAMISH FORD is Lecturer in Film, Media and Cultural Studies at Newcastle University, Australia. He has published journal articles in The Year's Work in Critical and Cultural Theory, Senses of Cinema and Real Time, and has contributed to books including New Takes in Film-Philosophy (Palgrave, 2011). Tab Content 6Author Website:Countries AvailableAll regions |
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