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OverviewPostmodernism has come and gone, but the belief that artists and works of art are exceptional is alive and well. Post-Exceptionalism speculates that this is so because postmodernism, when it declared the death of the author and celebrated the copy, failed to name political theology as its fundamental target. In a time when sovereignty is experiencing a dubious global revival, the moment has come to reconsider the artist and the work of art after political theology in search for a new, worldly, and emancipatory politics of aesthetics. Full Product DetailsAuthor: Arne De Boever (Director of the MA Aesthetics and Politics program, School of Critical Studies at the California Institute of the Arts)Publisher: Edinburgh University Press Imprint: Edinburgh University Press ISBN: 9781399539692ISBN 10: 1399539698 Pages: 368 Publication Date: 31 January 2025 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Temporarily unavailable ![]() The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsAcknowledgments Introduction: Post-Exceptionalism and Its Politics Part I. The Vandal 1. Damage Art 2. The Copy’s Blow Part II. The Forger 3. Post-Exceptional Fakes 4. Turning Toward Landscape Part III. The Sage 5. Post-Exceptionalism as Political Formalism 6. From Duplitectures to Dafen Conclusion: Variations on Post-Exceptional Art Coda: The End of Art (Once Again)ReviewsArne De Boever has distinguished himself for a staccato stream of evocative, thought-provoking, and eminently readable books that are connected by an unmistakably personal style of addressing contemporary problems in our stark reality. Looking back, this oeuvre forms a singular mosaic of critique and inspiration, and Post-Exceptionalism is its precious new gem.--Stathis Gourgouris, Columbia University Author InformationArne De Boever teaches American Studies in the School of Critical Studies at the California Institute of the Arts. He is the author of numerous articles, reviews, and translations, as well as several books on contemporary comparative fiction and political and aesthetic philosophy. His books include Against Aesthetic Exceptionalism (2019), Plastic Sovereignties: Agamben and the Politics of Aesthetics (2016), François Jullien’s Unexceptional Thought (2020), and Being Vulnerable (2023). Tab Content 6Author Website:Countries AvailableAll regions |