Awards

• Short-listed for James Tait Black Memorial Book Prize: Biography 2013
• Shortlisted for James Tait Black Memorial Book Prize: Biography 2013.
• Shortlisted for James Tait Black Memorial Book Prizes: Biography 2013.

Overview

Henry James (1843–1916) has had many biographers, but Michael Gorra has taken an original approach to this great American progenitor of the modern novel, combining elements of biography, criticism, and travelogue in re-creating the dramatic backstory of James's masterpiece, Portrait of a Lady (1881). Gorra, an eminent literary critic, shows how this novel-the scandalous story of the expatriate American heiress Isabel Archer-came to be written in the first place. Traveling to Florence, Rome, Paris, and England, Gorra sheds new light on James's family, the European literary circles-George Eliot, Flaubert, Turgenev-in which James made his name, and the psychological forces that enabled him to create this most memorable of female protagonists. Appealing to readers of Menand's The Metaphysical Club and McCullough's The Greater Journey, Portrait of a Novel provides a brilliant account of the greatest American novel of expatriate life ever written. It becomes a piercing detective story on its own.

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9780871404084

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Reviews

Starred review. Throughout this work of astonishing scholarship, Gorra directs our attention to the quotidian life of James (and his remarkable family), his composition of the novel (which first appeared in serial installments in the Atlantic here and Macmillan 's Magazine in England), the significance of the events and characters in the story, and the influence of the novel on the subsequent fiction of James and others . Gorra 's approach will appeal to scholars, fans of the James family and lovers of important novels and those who create them.

I wish I could give this sublime marrying of the art and the life 10 stars...Gorra is a delightful guide through James's world, tracing the American's steps in Florence, looking over the Arno from the point that James did, or mounting the stairs of his home in Rye. His investigations never detract attention from his subject, but he permits the admittance that he sheds tears at Isabel's final scene with the dying Ralph. At literary festivals throughout the country, readers always ask writers how they write. This books tells us, but never was demystification such an enjoyable and inspiring experience. --Lesley McDowell

In his resplendent Portrait of A Novel, Michael Gorra breaks through the remoteness of the Master that majestic but privately enigmatic figure so that Henry James now comes to us with the sensuous immediacy of his quotidian reality: the rooms he lived in, the streets he trod, and the very texture of his inmost sensibility. Remarkably, Gorra achieves this living nearness through a deep literary mining of the heroine of a single novel: Isabel Archer of The Portrait of A Lady. In Gorra's ingenious and capacious reading, James stands before us with a clarity of seeing and feeling given to no previous biographer. --Cynthia Ozick

Author Information

Michael Gorra is the Mary Augusta Jordan Professor of English at Smith College, where he has taught since 1985. He is the recipient of fellowships from the National Endowment for the Humanities and the Guggenheim Foundation and, for his work as a reviewer, of the Balakian Award from the National Book Critics Circle. His books include The Saddest Words: William Faulkner’s Civil War; Portrait of a Novel: Henry James and the Making of on American Masterpiece, a finalist for the Pulitzer Prize in Biography; The Bells in Their Silence: Travels through Germany; After Empire: Scott, Naipaul, Rushdie; The English Novel at Mid-Century; and, as editor, The Portable Conrad and the Norton Critical Editions of The Sound and the Fury and The Portrait of a Lady.

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