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Overview"Applying the theories of Popular Culture, Visual Culture, Performance Studies, (Post)Feminism, and Film Studies, this interdisciplinary and well-crafted book leads you to the fascinating and intriguing world of popular film, (musical) theatre, and TV drama. It explores the classical and contemporary cases of the literature works, both Eastern and Western, adapted, represented and transformed into the interesting artistic medium in films, performances, TV dramas, musicals, and AI robot theatre/films. ‘Iris Tuan’s book is wide ranging in scope and diversity, examining theatre, music, film and television productions from both Western and Asian countries. Tuan also surveys an extensive range of critical and theoretical perspectives, especially from performance studies and popular cultural studies, to offer context for her descriptions of the many different works. Some of her examples are well-known (Shakespeare’s Romeo & Juliet, Disney’s The LionKing) while others little known outside their place of origin (such as the Hakka Theatre of Taiwan) -- all are approached by the author with enthusiasm.’ —Susan Bennett, Professor of English, University of Calgary, Canada ‘Tuan takes us through multiple examples of contemporary popular performance in theatre/film/TV ranging from ""high"" art sources (Shakespeare or Journey to the West in films, Hirata's robotic theatre experiments) to ""low"" (Taiwanese TV soap operas Hakka Theatre: Roseki and Story of Yangxi Palace, Korean film Along with the Gods: The Two Worlds). The reader moves at a speed-dating pace through contemporary culture production and interpretive theories, encountering significant works, controversies (i. e., yellow face), and conundrums selected from China, Korea, Japan and the U. S. and filtered through a Taiwanese female gaze.’ —Kathy Foley, Professor of Theatre Arts, University of California Santa Cruz, USA" Full Product DetailsAuthor: Iris H. TuanPublisher: Springer Verlag, Singapore Imprint: Springer Verlag, Singapore Edition: 1st ed. 2020 Weight: 0.318kg ISBN: 9789811572999ISBN 10: 9811572992 Pages: 210 Publication Date: 24 November 2021 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of Contents1 Introduction: Popular Visual Culture in Film, Theatre and TV DramaPart I Literature, Film, and Theatre2 Shakespeare and Popular Culture: Romeo and Juliet in Film and Pop Music3 Represent Afterlife and Replay Habitus: Performance via Spectacle in the Korean Film Along with the Gods: The Two Worlds4 Myth and Levi-Strauss: Taiwan Musical The Classic of Mountains and Seas & Chinese Film The Monkey King: Kingdom of WomenPart II Asian American Play, Asian Theatre, and Musical Theater5 Face, Race, and Performance: Arousal by Face and Identity Transformation6 Dance Tango and Sing for Revenge in Chicago and The VisitPart III TV Drama, Robot Theatre and AI Films7 Theatre, Performance, and Popular Story of Yanxi Palace 8 Hakka Theatre: Roseki Taipei Singer9 Robot Theatre and AI Films10 ConclusionReviewsPop with Gods, Shakespeare, and AI is a very ambitious book. Its great virtue lies in its bringing together performance works from a variety of media - the author herself lists Western Literature, Chinese Literature, East Asian Studies, Shakespearean Research, Broadway Musicals, Theater Performance, Film Studies and theories of popular culture. ... The 64 color photos are uniformly excellent and make me wonder why I don't go to the theater more often. (Bradley Winterton, taipeitimes.com, April 21, 2022) “Pop with Gods, Shakespeare, and AI is a very ambitious book. Its great virtue lies in its bringing together performance works from a variety of media — the author herself lists Western Literature, Chinese Literature, East Asian Studies, Shakespearean Research, Broadway Musicals, Theater Performance, Film Studies and theories of popular culture. … The 64 color photos are uniformly excellent and make me wonder why I don’t go to the theater more often.” (Bradley Winterton, taipeitimes.com, April 21, 2022) Author InformationIris H. Tuan is Professor at National Chiao Tung University, Taiwan. She received her Ph.D. in Theater from UCLA and has been a Visiting Scholar at Harvard University. Tuan’s selected publications include papers published by Asian Theatre Journal, and nine books, including Translocal Performance in Asian Theatre and Film, Intercultural Theatre: Adaptation and Representation, Western Canon in Taiwan Theatre, Alternative Theater in Taiwan, and Transnational Performance, Identity, and Mobility in Asia (edited with Ivy I-chu Chang). Tuan is the recipient of NCTU Outstanding Research Awards. Tab Content 6Author Website:Countries AvailableAll regions |
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