Overview

In this fascinating study of contemporary Christian worshippers, David L. Moody analyzes Christian rap music against traditional Christian theology. For many, mixing the sanctified worship of God with music originating from unconsecrated avenues has become difficult to accept. From the back alleys and streets of the hood to the club scene of urban America, Christian rappers walk to a different beat than the preacher at the pulpit. However, similar to a street evangelist, the Black Christian rapper is about singing praise to God and delivering the gospel message to his lost homies on the streets. Moody examines the emergence of hip hop based ministries and their place among youth with the Black community.

Full Product Details

Author:   David L. Moody
Publisher:   Lexington Books
Imprint:   Lexington Books
Dimensions:   Width: 15.70cm , Height: 1.60cm , Length: 23.50cm
Weight:   0.349kg
ISBN:  

9780739172360

ISBN 10:   0739172360
Pages:   132
Publication Date:   27 September 2012
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction: Sing my Brother, Sing! Say what's on your mind; Do it with a rhyme! Chapter 1: The Liberating Dream through Black Christian Rap Music Chapter 2: Performing Hip Hop in the Black Church: Political, Spiritual, or just plain Entertaining? Hip Hop as a Culture: Rap as an Art Form Chapter 3: Black Liberation Theology: Political, Spiritual, or just a plain old voice from the Past? Chapter 4: Jesus The Brown Skin-Revolutionary : Was Jesus a Marxist Rapper? Chapter 5: What Would Jesus Rap About? Conclusion: The Role of the Church Today Appendix A. ABC Transcript/Jeremiah Wright Appendix B. RIAA 2008 Consumer Profile Appendix C. Slave Population of the U.S.

Reviews

David Moody examines the relationship between contemporary black Christian rap/hip hop and black liberation theology. This topic is fascinating to me and caused me to think why didn t I think of that?! It is interesting how he draws parallels between the themes in the lyrics of antebellum and postbellum black spirituals with the themes in contemporary black Christian hip hop rap songs. I believe Political Melodies in the Pews? is just the kind of scholarship to extend the current analyses regarding theology, popular culture, African American studies, and hip hop culture.--Angela Nelson, Bowling Green State University

In Political Melodies in the Pews?, Moody opens the door for us to examine an understudied subject, and he has raised poignant questions to consider. As Christian music continues to play an important role as part of the worship service in Black churches across the United States, studies such as these are important contributions to better understanding cultural practices within these and similar communities. Journal of American Culture David Moody examines the relationship between contemporary black Christian rap/hip hop and black liberation theology. This topic is fascinating to me and caused me to think why didn't I think of that?! It is interesting how he draws parallels between the themes in the lyrics of antebellum and postbellum black spirituals with the themes in contemporary black Christian hip hop rap songs. I believe Political Melodies in the Pews? is just the kind of scholarship to extend the current analyses regarding theology, popular culture, African American studies, and hip hop culture. -- Angela Nelson, Bowling Green State University From the street demonstrations of the Civil Rights Movement, to the ideological struggles of black theology and black power, the black church has always sought a contemporary way in which to give voice to the meaning of the faith. With the rise of hip-hop as both a musical and cultural phenomenon the same issues arise; how do you present a changeless gospel to a fast- changing world. This book takes us into the world and work of black Christian rappers. Their melodies and methods may be different, but the intention is still focused on how to reach the masses. -- Marvin A. McMickle, President, Colgate Rochester Crozer Divinity School

David Moody examines the relationship between contemporary black Christian rap/hip hop and black liberation theology. This topic is fascinating to me and caused me to think why didn't I think of that?! It is interesting how he draws parallels between the themes in the lyrics of antebellum and postbellum black spirituals with the themes in contemporary black Christian hip hop rap songs. I believe Political Melodies in the Pews? is just the kind of scholarship to extend the current analyses regarding theology, popular culture, African American studies, and hip hop culture. -- Angela Nelson, Bowling Green State University From the street demonstrations of the Civil Rights Movement, to the ideological struggles of black theology and black power, the black church has always sought a contemporary way in which to give voice to the meaning of the faith. With the rise of hip-hop as both a musical and cultural phenomenon the same issues arise; how do you present a changeless gospel to a fast- changing world? This book takes us into the world and work of black Christian rappers. Their melodies and methods may be different, but the intention is the same as the old hymn that asks How to reach the masses? As someone who was shaped by the Motown generation, I point to some lyrics from the Temptations song Ball of Confusion that say Rap on, brothers, rap on! -- Marvin A. McMickle, President, Colgate Rochester Crozer Divinity School

In Political Melodies in the Pews?, Moody opens the door for us to examine an understudied subject, and he has raised poignant questions to consider. As Christian music continues to play an important role as part of the worship service in Black churches across the United States, studies such as these are important contributions to better understanding cultural practices within these and similar communities. * Journal of American Culture * This is a wonderful reference for readers who seek clarity on the purpose of Christian hip-hop. Moody's own belief is made evident in the first pages and . . . is the book's driving force. * The Journal Of Religion * David Moody examines the relationship between contemporary black Christian rap/hip hop and black liberation theology. This topic is fascinating to me and caused me to think why didn't I think of that?! It is interesting how he draws parallels between the themes in the lyrics of antebellum and postbellum black spirituals with the themes in contemporary black Christian hip hop rap songs. I believe Political Melodies in the Pews? is just the kind of scholarship to extend the current analyses regarding theology, popular culture, African American studies, and hip hop culture. -- Angela Nelson, Bowling Green State University From the street demonstrations of the Civil Rights Movement, to the ideological struggles of black theology and black power, the black church has always sought a contemporary way in which to give voice to the meaning of the faith. With the rise of hip-hop as both a musical and cultural phenomenon the same issues arise; how do you present a changeless gospel to a fast- changing world. This book takes us into the world and work of black Christian rappers. Their melodies and methods may be different, but the intention is still focused on how to reach the masses. -- Marvin A. McMickle, Colgate Rochester Crozer Divinity School

Author Information

David L. Moody is an assistant professor in the Department of Communication Studies at the State University of New York at Oswego (SUNY Oswego).

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