Overview

"Taking seriously Guillaume Apollinaire's wager that twentieth-century poets would one day ""mechanize"" poetry as modern industry has mechanized the world, Carrie Noland explores poetic attempts to redefine the relationship between subjective expression and mechanical reproduction, high art and the world of things. Noland builds upon close readings to construct a tradition of diverse lyricists--from Arthur Rimbaud, Blaise Cendrars, and Rene Char to contemporary performance artists Laurie Anderson and Patti Smith--allied in their concern with the nature of subjectivity in an age of mechanical reproduction."

Full Product Details

9780691004174

Table of Contents

Reviews

Examining theoreticians ... and adding an ingenious interpretive analyses of her own, Noland illustrates the extent to which and how the character of various poets, performers, and even a dress designer's productions mediate a dialectic between artist and public. -- Choice Carrie Noland provides a powerful view of the dynamic connection between lyric poetry and technology... It is invigorating to read such a well documented and providential analysis. -- Susan F. Crampton, French Review Excellent in its informative reading of each artist in question, the chapters are independent, richly documented studies of the creative self and its embrace of a particular technology or commercial development. -- Maria L. Assad, Nineteenth-Century French Studies

Examining theoreticians ... and adding an ingenious interpretive analyses of her own, Noland illustrates the extent to which and how the character of various poets, performers, and even a dress designer's productions mediate a dialectic between artist and public. Choice Carrie Noland provides a powerful view of the dynamic connection between lyric poetry and technology... It is invigorating to read such a well documented and providential analysis. -- Susan F. Crampton French Review Excellent in its informative reading of each artist in question, the chapters are independent, richly documented studies of the creative self and its embrace of a particular technology or commercial development. -- Maria L. Assad Nineteenth-Century French Studies

Examining theoreticians ... and adding an ingenious interpretive analyses of her own, Noland illustrates the extent to which and how the character of various poets, performers, and even a dress designer's productions mediate a dialectic between artist and public. -- Choice Carrie Noland provides a powerful view of the dynamic connection between lyric poetry and technology... It is invigorating to read such a well documented and providential analysis. -- Susan F. Crampton, French Review Excellent in its informative reading of each artist in question, the chapters are independent, richly documented studies of the creative self and its embrace of a particular technology or commercial development. -- Maria L. Assad, Nineteenth-Century French Studies

Examining theoreticians ... and adding an ingenious interpretive analyses of her own, Noland illustrates the extent to which and how the character of various poets, performers, and even a dress designer's productions mediate a dialectic between artist and public. Choice Carrie Noland provides a powerful view of the dynamic connection between lyric poetry and technology... It is invigorating to read such a well documented and providential analysis. -- Susan F. Crampton French Review Excellent in its informative reading of each artist in question, the chapters are independent, richly documented studies of the creative self and its embrace of a particular technology or commercial development. -- Maria L. Assad Nineteenth-Century French Studies

Author Information

Carrie Noland is Associate Professor of French at the University of California, Irvine.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available