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OverviewHow do artworks 'speak', and how do we 'listen' and respond? These questions underlie the investigation here of Roni Horn's Pair Object III: For Two Rooms, Emily Dickinson's later manuscripts, Theresa Hak Kyung Cha's Passages Paysages, Fiona Templeton's Cells of Release and Jenny Holzer's Lustmord. The tenets of critical performance, art-writing and site-writing inform the critical method used in Poetics and Place. Each chapter is dedicated to one of these five artworks, and is arranged in order to fulfil three main objectives: to understand how the artworks generate meaning through a material poetics in relation to place; to develop a critical methodology for engaging with them; and to investigate their ethical potential and political imperative. All of this, ultimately, facilitates the development of a triadic relation between theoretical concepts of sign, subject and site at the crossover between poetry, art and spatial practices. This extends each artwork beyond the dyad of a critical encounter in order to offer - and allow others to grasp - an appreciation of how the artwork figures meaningfully, as well as configures meaning, in the wider world of objects and things. The book concludes with a discussion of the ethics of reading from the second person, opening up a debate concerning the role of empathy within contemporary, politically engaged practices in art and poetry. Full Product DetailsAuthor: Kristen KreiderPublisher: Bloomsbury Publishing PLC Imprint: I.B. Tauris Dimensions: Width: 13.80cm , Height: 2.50cm , Length: 21.60cm Weight: 0.452kg ISBN: 9781780763378ISBN 10: 1780763379 Pages: 256 Publication Date: 19 December 2013 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsContents List of Illustrations vii Acknowledgements xiii Introduction - Situating Poetics and Place: Context, Method and Theoretical Foundation 1 1 Object, Sign and Punctuating Space: Tracing an Emergence of the Indexical Symbol through Roni Horn's Pair Object III: For Two Rooms 39 2 The Page as Site: A Creative and Critical Performance of Emily Dickenson's Later Manuscripts 64 3 Projecting the Voice: Theresa Hak Kyung Cha's Passages Paysages and the Ethics of Aesthetic Relation 102 4 Performing the Line: Fiona Templeton's Cells of Release as Poetical/Political Activism 130 5 The Material Reach of the World: Jenny Holzer's Lustmord and the Responsibility of Art 164 Conclusion - Leaving Poetics and Place: Opening Questions onto the Material and Spatial Potential of Emphatic Process 193 Notes 199 Bibliography 215 Index 229ReviewsTo come Author InformationKristen Kreider is Senior Lecturer in the Department of English, Royal Holloway, University of London, UK. Tab Content 6Author Website:Countries AvailableAll regions |
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