Poet of the Medieval Modern: Reading the Early Medieval Library with David Jones

Awards:   Winner of Winner, 2023 University English Book Prize.
Author:   Francesca Brooks (Leverhulme Early Career Fellow, University of York)
Publisher:   Oxford University Press
ISBN:  

9780198860143


Pages:   352
Publication Date:   23 December 2021
Format:   Paperback
Availability:   To order   Availability explained
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Poet of the Medieval Modern: Reading the Early Medieval Library with David Jones


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Awards

  • Winner of Winner, 2023 University English Book Prize.

Overview

The early Middle Ages provided twentieth-century poets with the material to re-imagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895-1974): representing the first extended study of the influence of early medieval English culture and history on Jones and his novel-length late modernist poem The Anathemata (1952). Jones's second major poetic project after In Parenthesis (1937), The Anathemata fuses Jones's visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones's Library, this volume reads with Jones in order to trouble the distinction between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in Modernist and Medieval Studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages--including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography--to re-envision British Catholic identity in the twentieth-century long poem. Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponised in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore-up and challenge English hegemonies across modern British culture.

Full Product Details

Author:   Francesca Brooks (Leverhulme Early Career Fellow, University of York)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 13.50cm , Height: 1.80cm , Length: 20.40cm
Weight:   0.394kg
ISBN:  

9780198860143


ISBN 10:   0198860145
Pages:   352
Publication Date:   23 December 2021
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Introduction: 'Accidents of long past history': Medieval Modern Anglo-Welsh Identities 1: Reading with David Jones: The Anglo-Saxon Library and the Palimpsest of the Poem 2: An Alfredian Reading Project: The Literary Preface and the Reshaping of a British Catholic Community 3: A Poetic Historiography of the Early English Settlements: Reading History with David Jones in 'Angle-Land' 4: 'He'll latin-runes tellan in his horror-coat standing': Saint Guthlac and the Lost Narrative of the Britons in the Early Medieval Fenland 5: 'The Axile Tree': Northumbria, Anglo-Welsh Christian Tradition, and the Ruthwell Monument Conclusion Appendix 1: The Anglo-Saxon Library Appendix 2: Compounds with Old English Roots in The Anathemata Appendix 3: Lines 39-41 of The Dream of the Rood cited in correspondence Appendix 4: Extracts from two letters on the Catholic Church in the Twentieth Century and the Augustinian Conversion Bibliography

Reviews

Poet of the Medieval Modern is a welcome and necessary study of how Old English language and history enabled Jones to think through his artistic, religious, and cultural preoccupations. * Paul Robichaud, Albertus Magnus College, Modern Philology *


Author Information

Francesca Brooks is a Leverhulme Early Career Fellow at the University of York. She has previously published on sensory perceptions of the early medieval liturgy in England, the influence of liturgical innovation on vernacular Passion poetry (both medieval and modernist), and the crafting of sound in the riddles of the Old English Exeter Book. Dr Brooks teaches both medieval and modern literature and is interested in the intersections of critical and creative practice.

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