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Author:   Caterina Preda (University of Bucharest, Romania) ,  Magdalena Radomska (Adam Mickiewicz University, Poland)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9781032731742

ISBN 10:   1032731745
Pages:   262
Publication Date:   29 November 2024
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction Part I: Plural Geographies of East-Central European Art 1. Plural geography(ies) - Between Class Division and Relations of Production 2. Discontinuity. Considering East-Central Europe as a Discontinuous Space 3. Points East: the Geo-Epistemology of East European Art through Conference History 4. Capitalism, Geographies, the Racial/Colonial and the Imperial/Colonial Divide Part II: Multiple Geographies – Non-hierarchical, flexible mapping and non-mapping 5. Plurimodern Constellations: Scales of Analysis in the Spatial History of Art 6. The Hegemonic Gaze and East-Central Europe - Challenging the Totalitarian Paradigm 7. The Arts of Mapping (East Central) Europe and David Černý’s Entropa 8. A Shift From the Geopolitics of Place to the Chronopolitics of Time in East-Central Europe? Part III: Geographies of Peripheral Solidarity 9. The Alternative Geography of Socialist Cultural Internationalism: Trans-Regional Artistic Solidarity Between East-Central Europe and Latin America 10. Black Masks White Skin. Self-Identification with Africa in the Polish Culture During Late Socialism 11. From Postsocialist Geographies to Late Socialist Networks: The Role of Cultural Exchange with Non-Aligned Countries in Croatia and Yugoslavia 12. Transnational Zones for Museums and Archives Between Latin America and Eastern Europe Part IV: Geographies of “Strategic Essentialism” 13. Inside the Trans/National. Feminist Geographies of Close Otherness in the Art of East-Central Europe 14. An Art History of Place 15. Atemporal Histories and the Geographies of East-Central Europe, or, Why Have There not Been no Great Moldovan (Performance) Artists? 16. A Different Narrative of Nonalignment? The Case of Socialist Albania in the Art History of Central and Geography of East-Central Europe

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Author Information

Caterina Preda is Associate Professor at the Department of Political Science, University of Bucharest. Magdalena Radomska is Assistant Professor at Adam Mickiewicz University in Poznań, Poland.

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