Overview

Full Product Details

9780815352242

Table of Contents

Reviews

Hillary Miller's riveting interviews with eighteen dramatists demonstrate how writing for television is reshaping contemporary play writing. In wide-ranging conversations, writers talk about the artistic, economic, and social reasons they compose for the small screen. The interviews coalesce into a beautifully textured picture of the modern playwright's education-from formal training to early successes to the seemingly inevitable invitation from Hollywood. Framed with sharp analyses from Miller, this collection will be essential reading for anyone who loves Peak TV or who cares about the American theater. - Derek Miller, author of Copyright and the Value of Performance, 1770-1911 Where do we locate the labour of the playwright in a world dominated by digital downloads and binge-streaming? What might a dramatist writing for both stage and (small) screen have to tell us about the cultural shifts our world has undergone in the past 20 years, the stories we increasingly dismiss or hunger for? How can you train for a successful cross-platform writing career, and what challenges should you expect to face? This compelling, readable book traverses these questions in 18 interviews with playwright-showrunners; it's essential reading for drama teachers, media scholars, super-fans, aspiring writers - and anyone who loves both the West End and The Wire -Kim Solga, author of A Cultural History of Theatre in the Modern Age

Hillary Miller's riveting interviews with eighteen dramatists demonstrate how writing for television is reshaping contemporary play writing. In wide-ranging conversations, writers talk about the artistic, economic, and social reasons they compose for the small screen. The interviews coalesce into a beautifully textured picture of the modern playwright's education-from formal training to early successes to the seemingly inevitable invitation from Hollywood. Framed with sharp analyses from Miller, this collection will be essential reading for anyone who loves Peak TV or who cares about the American theater. - Derek Miller, author of Copyright and the Value of Performance, 1770-1911 Where do we locate the labour of the playwright in a world dominated by digital downloads and binge-streaming? What might a dramatist writing for both stage and (small) screen have to tell us about the cultural shifts our world has undergone in the past 20 years, the stories we increasingly dismiss or hunger for? How can you train for a successful cross-platform writing career, and what challenges should you expect to face? This compelling, readable book traverses these questions in 18 interviews with playwright-showrunners; it's essential reading for drama teachers, media scholars, super-fans, aspiring writers - and anyone who loves both the West End and The Wire -Kim Solga, author of A Cultural History of Theatre in the Modern Age

Author Information

Hillary Miller is a theater historian and the author of Drop Dead: Performance in Crisis, 1970s New York (2016). She is an assistant professor of English at Queens College, CUNY.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available