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OverviewFull Product DetailsAuthor: Mark J. Butler (Associate Professor of Music Theory and Cognition, Associate Professor of Music Theory and Cognition, Northwestern University, Evanston)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.50cm , Height: 1.90cm , Length: 15.50cm Weight: 0.376kg ISBN: 9780195393620ISBN 10: 0195393627 Pages: 280 Publication Date: 31 July 2014 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsIntroduction 1. Remixing One's Self: Ontologies of the Provisional Work 2. Performing Performance: Interface, Design, Liveness and Listener Orientation 3. Making it Up and Breaking it Down: Improvisation in EDM Performance 4. Looking for the Perfect Loop: Musical Technologies of Mediated Improvisation Appendix Works CitedReviewsWinner of the 2015 PMIG Outstanding Publication Award from the Society of Music Theory These reflections do not fail to pose many difficulties to the musical theory: where does the identity of the work lie? Is there a hierarchy between different versions of the same composition ? Why are some compositions not intended to be listened to publicly but only to provide the raw material of improvisation?...What is the relationship between human and technology? In asking these questions, Mark Butler invites us to go beyond many of the common places of musicology that have been settled since the nineteenth century as the objections between product and process, work and performance, composition and improvisation - and many othersIt shows us that popular electronic music is the current place for an intense widening of the spectrum of possible on the future of musical creation, both in the field of avant-garde and mainstream music. * Emmanuel Parent, L'Universite Rennes 2, Volume! * Author InformationMark J. Butler is Associate Professor of Music Theory and Cognition at Northwestern University and is the author of Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music (Indiana University, 2006). Tab Content 6Author Website:Countries AvailableAll regions |
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