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OverviewAs a member of Poster Children, Rose Marshack took part in entwined revolutions. Marshack and other women seized a much-elevated profile in music during the indie rock breakthrough while the advent of new digital technologies transformed the recording and marketing of music. Touring in a van, meeting your idols, juggling a programming job with music, keeping control and credibility, the perils of an independent record label (and the greater perils of a major)—Marshack chronicles the band’s day-to-day life and punctuates her account with excerpts from her tour reports and hard-learned lessons on how to rock, program, and teach while female. She also details the ways Poster Children applied punk’s DIY ethos to digital tech as a way to connect with fans via then-new media like pkids listservs, internet radio, and enhanced CDs. An inside look at a scene and a career, Play Like a Man is the evocative and humorous tale of one woman’s life in the trenches and online. Full Product DetailsAuthor: Rose MarshackPublisher: University of Illinois Press Imprint: University of Illinois Press Dimensions: Width: 15.20cm , Height: 1.00cm , Length: 22.90cm ISBN: 9780252086960ISBN 10: 0252086961 Pages: 254 Publication Date: 28 February 2023 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Tour Reports Preface Acknowledgments Part One. 1980s: College Chapter 1. Origin Story Chapter 2. The Scene at College Chapter 3. Punk Bands in Dorms Chapter 4. Computers Chapter 5. Play Like a Man Part Two. 1987-1992: Pre-major Label Life Chapter 6. The Indie Code of Ethics Chapter 7. Local Chapter 8. Regional Chapter 9. National Part Three. 1993-1996: Major Label Life Chapter 10. Mashed Potatoes Chapter 11. Recording Chapter 12. Touring Chapter 13. Radio Sucks Chapter 14. Computer Experiments Chapter 15. Expectations Chapter 16. Big Changes Part Four. 1997: Post Major Label Chapter 17. Online Participation Chapter 18. Life as a Woman Chapter 19. How to Look at Things Chapter 20. Teaching Appendix: List of Poster Children Alumni Notes IndexReviewsThe Poster Children were a smart, stubborn, self-reliant independent band that suddenly found itself surrounded by the ambitious puffery of hopeful tourist musicians. They navigated the problematic ocean of 'Alternative Music' that rose up in the 1990s and lived to tell the tale. Rose was central to that mission and should be considered a trustworthy and experienced reporter! --Ian MacKaye, Fugazi and Minor Threat This kind of tour report from a female musician is so rare and essential in documenting women's role in punk and music history. At the same time, the work that Poster Children did in contributing to the early use of the internet and social media and web design is important to think about around independent music and punk--really, around the music industry in general. --Rebekah Buchanan, author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics Reflective, humorous, and rousing, Play Like a Man is an exuberant memoir-a musical and feminist testament. --Foreword Reviews I have seen Rose Marshack play with her band the Poster Children many times, and her presence onstage is precisely like her writing, energetic, warm, and completely involved. This memoir is beautiful and frank, and does a fantastic job of bringing the reader into the private thoughts of a woman coming of age in a vibrant music community, immediately finding things to cling to and battles that need fighting. Her story will resonate not just with everyone who lived through this era, but anyone who's ever found their passion and community in music. I admire Rose tremendously and I'm glad she decided to tell us her story. --Steve Albini The Poster Children were a smart, stubborn, self-reliant independent band that suddenly found itself surrounded by the ambitious puffery of hopeful tourist musicians. They navigated the problematic ocean of 'Alternative Music' that rose up in the 1990s and lived to tell the tale. Rose was central to that mission and should be considered a trustworthy and experienced reporter! --Ian MacKaye, Fugazi and Minor Threat This kind of tour report from a female musician is so rare and essential in documenting women's role in punk and music history. At the same time, the work that Poster Children did in contributing to the early use of the internet and social media and web design is important to think about around independent music and punk--really, around the music industry in general. --Rebekah Buchanan, author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics For music fans in Central Illinois, I highly recommend Marshack's book, which she finished after five years of writing and editing. It's a phenomenal model of what music journalism should be, exemplified by comprehensive documentation and peer review - plus just enough swear words to keep you chuckling as you reach for the next page. --Pantagraph For readers interested in the indie music scene, touring life, and female rockers. --Booklist Reflective, humorous, and rousing, Play Like a Man is an exuberant memoir-a musical and feminist testament. --Foreword Reviews I have seen Rose Marshack play with her band the Poster Children many times, and her presence onstage is precisely like her writing, energetic, warm, and completely involved. This memoir is beautiful and frank, and does a fantastic job of bringing the reader into the private thoughts of a woman coming of age in a vibrant music community, immediately finding things to cling to and battles that need fighting. Her story will resonate not just with everyone who lived through this era, but anyone who's ever found their passion and community in music. I admire Rose tremendously and I'm glad she decided to tell us her story. --Steve Albini The Poster Children were a smart, stubborn, self-reliant independent band that suddenly found itself surrounded by the ambitious puffery of hopeful tourist musicians. They navigated the problematic ocean of 'Alternative Music' that rose up in the 1990s and lived to tell the tale. Rose was central to that mission and should be considered a trustworthy and experienced reporter! --Ian MacKaye, Fugazi and Minor Threat This kind of tour report from a female musician is so rare and essential in documenting women's role in punk and music history. At the same time, the work that Poster Children did in contributing to the early use of the internet and social media and web design is important to think about around independent music and punk--really, around the music industry in general. --Rebekah Buchanan, author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics Author InformationRose Marshack is a professor of creative technologies in the School of Music at Illinois State University. Her band Poster Children has performed over 800 shows in the United States and Europe. Tab Content 6Author Website:Countries AvailableAll regions |
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