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OverviewWhat is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-changing socio-cultural or ideological contexts that make up its reception-history to date? Can music be thought of as possessing certain attributes, structural features, or intrinsically valuable qualities that are response-transcendent, i.e., that might always elude or surpass the best state of (current or future) informed opinion? These are some of the questions that Christopher Norris addresses by way of a sustained critical engagement with the New Musicology and other debates in recent philosophy of music. His book puts the case for a qualified Platonist approach that would respect the relative autonomy of musical works as objects of more or less adequate understanding, appreciation, and evaluative judgement. At the same time this approach would leave room for listeners share the phenomenology of musical experience in so far as those works necessarily depend for their repeated realisation from one performance or audition to the next upon certain subjectively salient modalities of human perceptual and cognitive response. Norris argues for a more philosophically and musically informed treatment of these issues that combines the best insights of the analytic and the continental traditions. Perhaps the most distinctive feature of Norris's book, true to this dual orientation, is its way of raising such issues through a constant appeal to the vivid actuality of music as a challenge to philosophic thought. This is a fascinating study of musical understanding from one of the worlds leading contemporary theorists. Full Product DetailsAuthor: Professor Christopher Norris (University of Cardiff, UK)Publisher: Bloomsbury Publishing PLC Imprint: Continuum International Publishing Group Ltd. Dimensions: Width: 15.60cm , Height: 1.30cm , Length: 23.40cm Weight: 0.460kg ISBN: 9780826491787ISBN 10: 0826491782 Pages: 208 Publication Date: 09 October 2006 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Language: English Table of ContentsIntroduction 1. Platonism, Music, and the 'Listener's Share' 2. On Knowing What We Like: 'best opinion' and evaluative warrant 3. What's In a Work? music, ontology, and the 'deconstructive turn' 4. Between Phenomenology and Structuralism: alternative resources for music theory 5. Music, Pleasure, and the Claims of AnalysisReviewsAuthor InformationChristopher Norris is Distinguished Research Professor in Philosophy at the University of Cardiff, Wales, and has taught at many universities in India, Australia, Greece, Spain, Germany, Canada, China, the US, and elsewhere. He is the author of numerous books on aspects of philosophy, critical theory, and modern intellectual history. Tab Content 6Author Website:Countries AvailableAll regions |