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OverviewFull Product DetailsAuthor: Caroline van Eck (University of Cambridge)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 19.70cm , Height: 1.80cm , Length: 25.30cm Weight: 0.668kg ISBN: 9780192845665ISBN 10: 0192845667 Pages: 224 Publication Date: 16 February 2023 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsIntroduction 1: 'A Neoclassical Dream and an Archaeologist's Nightmare': Piranesi's Colossal Candelabra in the Louvre and Ashmolean Museum 2: Candelabra in Antiquity, their Rediscovery, and Reception 3: Making Antiquity Materially Present 4: Animal Features 5: Animation, Immersion, and the Revival of Antiquity 6: Movement, Animation and Intentionality Conclusion: 'Antiquity is only now coming into Being'. The Origins of the Style Empire and the Turn towards the Object, 1770-1820.ReviewsAuthor InformationCaroline van Eck studied art history at the Ecole du Louvre in Paris, and classics and philosophy at Leiden University. She obtained a PhD in aesthetics at the University of Amsterdam in 1994. She has held teaching positions at the Universities of Amsterdam, Groningen, and Leiden, where she was appointed Professor of Art and Architectural History in 2006. She has been a Visiting Fellow at the Warburg Institute and the Paul Mellon Centre for British Art at Yale University, a Visiting Professor in Ghent, Yale, York, and the Ecole Normale Supérieur in Paris, and in 2018 held the Panofsky Chair at the Zentralinstitut für Kunstgeschichte in Munich. In September 2016, she was appointed Professor of Art History at the University of Cambridge. She delivered the 2017 Slade Lectures in Oxford. Tab Content 6Author Website:Countries AvailableAll regions |
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