Overview

"""In the Hawaiian language, Piko can be translated as ""the very center."" As a society, we understand that before we can make sense of the results of our culture, we must remember the very design of it, or its piko.Jennifer Lighty, with her provocative ""Piko: A Return to Dreaming,"" coaxes its readers back into this center and, with masterful literation, weaves the patterns that bleed from this center to result in what we know as the human condition. Although the core concept is poetic, Lighty expresses this work in such a relatable way that anyone can position themselves as the lead character(s) whom, through the beauty of words, symbols, art, and consequence, truly affirm the core design which all results from."" -Ke'oni Hanalei, founder Pōhala Hawaiian Botanicals. Piko: A Return To The Dreaming is an account of a 21-day ceremony enacted by a modern woman in search of mythic ground in an ancient Place of Refuge on Moku O Keawe, Hawaii' Island. Weaving together memoir, fairy tales and myths, Hawaiian history and culture, and reflections gleaned on the state of humanity's relationship to nature as the ceremony unfolds, the book explores the trauma of colonialism in Hawai'i through the author's personal experience, and the trauma enacted upon Earth by traumatized members of civilizations that have lost their connection to a mythic perspective that links the experience of being human to a wider matrix of meaning still held by some present day indigenous cultures. Incorporating fairy tales and myths from worldwide cultures, the book itself is a ceremony, an offering of healing to Earth, to the past, to the future, and a place of refuge for whoever needs it in the present moment as our unsustainable patriarchal systems collapse to create space for new ways of holistic being to evolve and emerge on Earth."

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Reviews

"""In the Hawaiian language, Piko can be translated as ""the very center."" As a society, we understand that before we can make sense of the results of our culture, we must remember the very design of it, or its piko. Jennifer Lighty, with her provocative ""Piko: A Return to the Dreaming,"" coaxes its readers back into this center and, with masterful literation, weaves the patterns that bleed from this center to result in what we know as the human condition. Although the core concept is poetic, Lighty expresses this work in such a relatable way that anyone can position themselves as the lead character(s) whom, through the beauty of words, symbols, art, and consequence, truly affirm the core design which all results from."" -Ke'oni Hanalei, founder Pōhala Hawaiian Botanicals ""Jennifer Lighty is the real thing and has done us a great service with Piko. A modern woman working intuitively to contact mythic ground. Her language is fresh and imaginative, her intention five fathoms deep. I'm so glad she exists, and that she has turned some of her life's work into a gift that we can cradle in our hands and feel the benefit."" -Martin Shaw, author of Bardskull"

Author Information

"Jennifer Lighty was born in Japan under a Waning Libra Moon, instilling her with a desire to share knowledge and create har-mony wherever she goes. Her life has been a journey of trial and error that has moved her to many places and professions.Writing has always been a constant thread. Author of three books of poetry: Siren, Bluebell: The Apocalypse Diary, and Break-ing Up With The Moon, she has been nominated for Best New American Poets and The Pushcart Prize. She currently livesin Kona, Hawai'i, where she spends as much time as possible in the ocean diving for inspiration for the essays on myth andstory she publishes weekly on her Substack, The Corpus Callosum Chronicles. Norman ""Buzz"" Minnick's second full-length collection, ""Folly,"" is published by Wind Publications. He is the author of ""To Taste the Water: Poems"" (Mid-List Press, 2007) and several chapbook collections including ""Two for the Cold,"" a collaborative work with Lawrence Atwood, (Broadside Books, 2000) and ""The Overreacher"" (Broadside Books, 1998). He is the editor of ""Between Water and Song: New Poets for the Twenty-First Century"" (White Pine Press, 2010)."

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