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Porras (Tulane Univ.) elucidates the complex relationship between Bruegel's paintings and their various contexts, including the intellectual past and the creation of a Netherlandish historical identity. . . . This book is well worth reading for its nuanced interpretation of one of the most popular and beloved painters of the northern Renaissance. -A. Golahny, Choice By raising and rephrasing so many questions of central concern not only to our understanding of Bruegel but also to early modern Antwerp in general, Pieter Bruegel's Historical Imagination expands the discourse in new directions. As we continue with nervous laughter to venture into the worlds of Bruegel's peasants, and struggle like Ortelius to understand them, Porras's book will surely remain an engaging source for future study. -Marisa Anne Bass, The Historians of Netherlandish Art A thoughtful, intelligent, and learned book. Stephanie Porras culminates many (lesser but) related studies on Pieter Bruegel with new material and a defining argument and provides the most current assessment of the painter's peasant subjects. For art historians it will serve as a rich mine of cultural history, literary history, intellectual history, and even music history about Flemish culture on the eve of the Dutch Revolt. -Larry Silver, University of Pennsylvania A smart, important book. . . . Porras has illuminated an aspect of Bruegel's art that has always been present, though we did not recognize it. -Arthur J. DiFuria, CAA.Reviews Bruegel is often cast as an artist who collects his subject matter, be it children's games, exempla of virtues and vices, Netherlandish and Latin proverbs, or peasants celebrating during the local kermis. Porras offers us a new facet of this artistic personality, one that has more agency than our previous portraits of the artist. -Nina E. Serebrennikov, Renaissance Quarterly By situating Bruegel's work within his culture's search for a Flemish 'vernacular antiquity,' Stephanie Porras gives us a new sense of how history could be visually conceptualized, manipulated, and deployed in the mid-sixteenth century and invites us to see familiar aspects of Bruegel's work as operating in an important context that has never been fully explored before. An engaging and important book. -Elizabeth Alice Honig, University of California, Berkeley Stephanie Porras's Pieter Bruegel's Historical Imagination offers a fresh approach to Bruegel's peasant imagery. Smartly escaping the parameters of tired debates as to whether they offer moralizing comments of peasant excess or a lyrical vision of peasant culture for a town-dwelling elite, she argues that they constitute a form of 'history.' In an age that saw the revival of ancient arts and letters together with a rising sense of religious and political identity, Bruegel and his contemporaries found, in the life of the peasant, a means of suggesting the unity of past and present. -Keith Moxey, Barnard College/Columbia University In shifting focus from Pieter Bruegel as a painter of everyday life to the historical imagination which informed his peasant paintings, Porras offers a new and fresh approach to this canonical artist. Porras's own historical imagination is impressive, based on meticulous and wide-ranging scholarship in both visual and textual materials. This book is an important contribution to the field. -Joanna Woodall, The Courtauld Institute of Art, University of London

In shifting focus from Pieter Bruegel as a painter of everyday life to the historical imagination which informed his peasant paintings, Porras offers a new and fresh approach to this canonical artist. Porras s own historical imagination is impressive, based on meticulous and wide-ranging scholarship in both visual and textual materials. This book is an important contribution to the field. Joanna Woodall, The Courtauld Institute of Art, University of London

In shifting focus from Pieter Bruegel as a painter of everyday life to the historical imagination which informed his peasant paintings, Porras offers a new and fresh approach to this canonical artist. Porras s own historical imagination is impressive, based on meticulous and wide-ranging scholarship in both visual and textual materials. This book is an important contribution to the field. </p> Joanna Woodall, The Courtauld Institute of Art, University of London</p>

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Stephanie Porras is Assistant Professor of the History of Art at Tulane University.

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